A Quote by Aamir Khan
When I prepare for a role, I try to get inside the character's head and understand him.
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If I prepare myself for a character, for a role, I always try to understand her.
I take my time to understand the nuances of a character and prepare for a role, which is why I take time to do films. I work hard on myself to fit the character.
I think I had the good fortune to watch Sly the Artist [Sylvester Stallone]; to watch him in all arenas. As an actor, not many people get to see him turn that character on, they don't understand that he's playing a role.
Get inside her head. Get inside any character's head and ask what they want in this scene. And if you work from the perspective of what they want, there's not going to be any wrong answer. There's going to be some boring answers, but none of them are going to be wrong. As long as she has agency, then you're on the right track.
I'm still fighting really hard to get any role I get. If it's comedy, I go for the laughs. And if it's drama, I try to tell the truth, and try to play the real stakes of whatever scenario the character's in.
You read a script, you try and think through what is the best, most wide-ranging way of telling the story: who stylistically, character-logically, psychologically fits inside the world of what you're trying to do. A lot of it, when you're casting, is trying to get yourself in the head of a director.
As a writer, you have to put yourself in service to the character, get behind their eyes by delineating the world where the character develops. You have to listen to the character and see him inside his certain world to know what conclusions he would draw.
The ability to get inside your character's head in a graphic novel is really fun and useful because one, you can really define the character's voice and two, it's a way easier way to convey what the character's thinking by actually laying out what he's thinking.
My favorite role is mommy. I know that sounds cheesy to people who don't have kids, or there are even some moms who think it's cheesy. It's a role you can't prepare for; it's a role you don't get paid to do, but it is the most rewarding role, and to me, it's been the most fulfilling.
I think that I identify with my role in pretty much everything I have tried to do. I try to find something that I can understand about each character's behavior.
When you take on a role you try to do as much as possible beforehand to get your mind into it. Just to prepare because it's a daunting prospect to go six months or whatever.
Every character I've had in my act - none of them have a similar creation story. I actually thought up Peanut and designed him in my head. I described him to a woman that was making soft puppets and she drew up some sketches. And the character came to be just because he popped into my head.
When I get a role, I try to delve as deeply as possible into the character.
As an actor, it's my job to prepare myself for a role. If the character is realistic, one can't go wrong.
It is scary for an actor when you get hired as a lead. No matter what the plot is, it is your job to do something interesting enough to make them want to get inside the lead character's head.
It is fun, revisiting a role. Usually, as an actor, you do a movie and you put that character up on a shelf, and he's done. That character is now immortalized on film, but you don't get to play him again. In these films [Twilight saga], we got to revisit these characters, and we didn't take that for granted.
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