A Quote by Aaron Belz
I want to leave my readers with a sequence of ideas/phrases that makes them question something they'd taken for granted. Or that confuses them to the point that they laugh, but contains one or two phrases/lines that stick in their minds.
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It used to be that phrases and lines would come into my head, often many of them in a period of five days or a week, and maybe I didn't know what I was talking about, but the words had a kind of heaviness or deliciousness to them.
I'm pretty good at inventing phrases - you know, the sort of words that suddenly make you jump, almost as though you'd sat on a pin, they seem so new and exciting even though they're about something hypnopaedically* obvious. But that doesn't seem enough. It's not enough for the phrases to be good; what you make with them ought to be good too.
I use not casual phrases but imagistic phrases that create a rhythm of natural presence.
Hardly any original thoughts on mental or social subjects ever make their way among mankind or assume their proper importance in the minds even of their inventors, until aptly selected words or phrases have as it were nailed them down and held them fast.
If we want to take a bunch of phrases and run them through a Google and say 'Hey, who else has said them,' I can come up with the list in five minutes.
A writer ... whittles at the words and phrases of today and makes of them forms to set the mind of tomorrow's generation.
I don't want to fetishize the past. I want there to be a natural sequence coming out of a synthesis of the ideas and information that I gather together as a result of looking at things that are in the world. I'm trying to bring forward signs or signals based on what I see and my responses to these things. I'm trying to leave a trail that will be useful to other people in the future. It has to do with making something that contains a synthesis of the information, and then consequently to make one's deliberations visible, to allow other people to follow them. That's how I see my role.
I wanted to develop a guitar style where phrases and lines get there just in the nick of time, like with Curtis Mayfield and Steve Cropper. Subtleties mean so much, and there is a stunning beauty in them.
There are so many people who don't know small towns exist. When I write, I want to give my readers two things: one is a sense of consolation, and two, I want to make them laugh.
The test of an author is not to be found merely in the number of his phrases that pass current in the corner of newspapers... but in the number of passages that have really taken root in younger minds.
I write as clearly as I am able to. I sometimes tackle ideas and notions that are relatively complex, and it is very difficult to be sure that I am conveying them in the best way. Anyone who goes beyond cliche phrases and cliche ideas will have this trouble.
The mind of a generation is its speech. A writer makes aspects of that speech enduring by putting them in print. He whittles at the words and phrases of today and makes of them forms to set the mind of tomorrow's generation. That's history. A writer who writes straight is the architect of history.
Life is a thin narrowness of taken-for-granted, a plank over a canyon in a fog. There is something under our feet, the taken-for-granted. A table is a table, food is food, we are we - because we don't question these things. And science is the enemy because it is the questioner. Faith saves our souls alive by giving us a universe of the taken-for-granted.
For proverbs are the pith, the proprieties, the proofs, the purities, the elegancies, as the commonest so the commendablest phrases of a language. To use them is a grace, to understand them a good.
We all know that little words or phrases can mean a lot, yet so few of us know just what to say. Phrases, such as 'chin up,' or 'it could be worse,' usually have the opposite effect; they feel tired and impersonal, even dismissive.
Everybody has ideas. The vital question is, what do you do with them? My rock musician sons shape their ideas into music. My sister takes her ideas and fashions them into poems. My brother uses his ideas to help him understand science. I take my ideas and turn them into stories.
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