A Quote by Aaron Belz
The brands with which we surround ourselves prop us up, make us feel sexy and beautiful, when in reality we're pretty dumpy creatures.
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Stories can encourage us and embolden us to face ourselves and to feel. Stories can make us feel less alone. If we're reading a story that moves us, we can feel that emotion that I feel towards my father or mother or girlfriend. So they can give us late-night company.
Love knows no virtue, no profit; it loves and forgives and suffers everything, because it must. It is not our judgment that leads us; it is neither the advantages nor the faults which we discover, that make us abandon ourselves, or that repel us. It is a sweet, soft, enigmatic power that drives us on. We cease to think, to feel, to will; we let ourselves be carried away by it, and ask not whither?
We are all creatures of the stars and their forces, they make us, we make them, we are part of a dance from which we by no means and not ever may consider ourselves separate.
The fact is that the beautiful, humanly speaking, is merely form considered in its simplest aspect, in its most perfect symmetry, in its most entire harmony with our make-up. Thus the ensemble that it offers us is always complete, but restricted like ourselves. What we call the ugly, on the contrary, is a detail of a great whole which eludes us, and which is in harmony, not with man but with all creation. That is why it constantly presents itself to us in new but incomplete aspects.
Friends, companions, lovers, are those who treat us in terms of our unlimited worth to ourselves. They are closest to us who best understand what life means to us, who feel for us as we feel for ourselves, who are bound to us in triumph and disaster, who break the spell of our loneliness.
Although our moral conscience is a part of our consciousness, we do not feel ourselves on an equality with it. In this voice which makes itself heard only to give us orders and establish prohibitions, we cannot recognize our own voices; the very tone in which it speaks to us warns us that it expresses something within us that is not of ourselves.
Although many of us may think of ourselves as thinking creatures that feel, biologically we are feeling creatures that think
The flesh is what traps us, because no one has ever chosen his or her body to live in, has he? It's the flesh that makes us sick, that makes us old and that eventually ends up killing us. But at the same time, it's that glorious flesh that enables us to scratch heaven through sensuality, through passion. Paradoxically, the flesh that kills us will also make us feel eternal for a brief moment because that's what we are in passion, eternal - we abandon ourselves, we give ourselves to the other, so much that when we are loving passionately, death doesn't exist.
Women in America read 'lifestyle' pages which are really glorifications of shopping. They teach us we must veil ourselves in make-up to be loved. And we willingly take the veil, thinking ourselves freed by it. Make-up is no more optional for us than the veil is for Arab women: it is our Western version of the chador.
There is scarcely a single joy or sorrow within the experience of our fellow-creatures which we have not tasted; yet the belief, in the good and beautiful has never forsaken us. It has been medicine to us in sickness, richness in poverty, and the best part of all that ever delighted us in health and success.
But compassion is a deeper thing that waits beyond the tension of choosing sides. Compassion, in practice, does not require us to give up the truth of what we feel or the truth of our reality. Nor does it allow us to minimize the humanity of those who hurt us. Rather, we are asked to know ourselves enough that we can stay open to the truth of others, even when their truth or their inability to live up to their truth has hurt us.
We all should choose our friends carefully. I used to think that no one could know me better than somebody else, because you're inside yourself, your body, you can't see yourself. If you think like that, you surround yourself with other people who are willing to tell you who you are, which are usually judgmental people ... we should really surround ourselves with the ones that adore us and believe in the highest of us.
We all want explanations for why we behave as we do and for the ways the world around us functions. Even when our feeble explanations have little to do with reality. We’re storytelling creatures by nature, and we tell ourselves story after story until we come up with an explanation that we like and that sounds reasonable enough to believe. And when the story portrays us in a more glowing and positive light, so much the better.
More than by fear of going astray, my hope is that we will be moved by the fear of remaining shut up within structures which give us a false sense of security, within rules which make us harsh judges, within habits which make us feel safe, while at our door people are starving and Jesus does not tire of saying to us: 'Give them something to eat.'
The Louvre is the book in which we learn to read. We must not, however, be satisfied with retaining the beautiful formulas of our illustrious predecessors. Let us go forth to study beautiful nature, let us try to free our mids from them, let us strive to express ourselves according to our personal temperaments. Time and reflection, moreover, little by little modify our vision, and at last comprehension comes to us.
We are, all of us, creatures of habit, and when the seeeming necessity for schooling ourselves in new ways ceases to exist, we fall naturally and easily into the manner and customs which long usage has implanted ineradicably within us.
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