A Quote by Aaron Belz

After the first few readings in comedy venues I did begin to write for laughs. There's something so gratifying about stimulating laughter. — © Aaron Belz
After the first few readings in comedy venues I did begin to write for laughs. There's something so gratifying about stimulating laughter.
A buddha laughs too, but his laughter has the quality of a smile. His laughter has the feminine quality of grace. When an ignorant person laughs, his laughter is very aggressive, egoistic. The ignorant person always laughs at others. The contented person, the person who knows life a little, laughs at himself - at the whole play of life itself. It is not addressed to anybody in particular. He just laughs at the absurdity of it all... the impossibility of it all.
I think the most important thing about learning comedy is to start from who you are. If you begin the process by imitating what you perceive to be a comedy rhythm, you will get laughs sooner, but you will not be unique.
Everybody knows from his own experience that after laughter, good laughter, a belly laugh, you almost feel that you have taken an ice-cold shower; a peace, a silence, a freshness... The same is true about crying, but very few people know the secret of crying because it is more repressed than laughter.
I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.
I did an early version of my site where it was virtually impossible to get through it, just as a statement about the web. But after a few laughs and some angry e-mails, I realized it wasn't doing me much good. I think the web has become more about the final product, not what it takes to get to it.
I found fear stimulating. Particularly after you've done something that you'd been frightened of at the time, but you carried through and did the job.
I'm always telling my students go to law school or become a doctor, do something, and then write. First of all you should have something to write about, and you only have something to write about if you do something.
There was something peculiarly gratifying about shouting in a blind rage until your words ran out. Of course, the aftermath was less pleasant. Once you'd told everyone you hated them and not to come after you, where exactly did you go?
The child's laughter is pure until he first laughs at a clown.
Comedy is best when it's a reaction to something. When you're talking about a topic, and when your friend says something funny naturally, that kind of points something out and puts it on its side, or whatever, then everybody laughs. Because it's unsuspected.
My first time on stage was the class "graduation" at the Comedy Store. It was awesome. Everything got huge laughs and I just thought I knew how to do comedy.
I had no real direction at all in my 20's and so I did what a lot of people without direction do: I took an acting class. In one of those first days of the class, I did this weird, silly improv, and it got laughs. It was such a blissful moment. I've never gotten over that love of hearing laughter. As a people pleaser, it's the drug of choice for me.
It's gratifying that it does; I love to give readings.
I love doing the readings. The readings are the fun bits... The readings are probably the things that actually keep me going on these. If I couldn't do the readings, I wouldn't do the [signing] tours. I get to stand up there and read to a bunch of adults who in many cases nobody's read to in years, since they were about five. They just squat on the floor. That's enormously enjoyable.
There's something about small venues that's amazing for developing material. It's almost like you can not only hear people's response, but you can understand it. In bigger venues you lose that, but you gain this sense of camaraderie in the audience.
Laughter to begin with was probably glee at the misfortunes of others. The baring of the teeth in laughter hints at its savage ancestry. Animals have no malice, hence also no laughter. They never savor the sudden glory of Schadenfreude. It was its infectious quality that made of laughter a medium of mutuality.
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