A Quote by Aaron Bruno

I don't know that I can say what exactly love means to me because it would be hard to put that into perspective. — © Aaron Bruno
I don't know that I can say what exactly love means to me because it would be hard to put that into perspective.
I don't know that I can say what exactly love means to me because it would be hard to put that into perspective. But the older I get, the more I realize that you don't have to be around people you don't want to be around, and you don't have to be in a situation you don't want to be in.
I have several things that I'm working on and trying to put together. It's hard to say exactly what's next. I think I know what it is, but until I'm actually doing it, I never want to say because things change.
I love it when a woman hugs me. I love it when they say that I make them laugh because that means I'm doing what God called me to do. I love people. I love it when little old ladies come up and want to kiss me. It means so much to me that I get support and people know my heart. My fans know my heart and they get it.
If you are a designer, sometimes it is better not to delegate, because someone pays money for something that you designed, so it should be exactly the way you want it, exactly the way you would have chosen it. People call me a control freak, and I say, "Well, my name is on the shoe." It means the heel needs to be the way I want it and not the way somebody else wants it, and the toe needs to be exactly the way I want it, and the fabric and the material have to be exactly the way I want it. It is not a democracy - it is a dictatorship.
I have a hard time figuring out what kind of box to put me in, too, because I don't know exactly what's going on around me or why. But I need to stay outside of boxes because then I can look at what's inside of them without being part of them.
The expectations some Americans put on me is too much, is what I would say. But I don't take it that way. I know no one means harm to me like that or wanting to put too much pressure on me.
Precocious and eccentric are okay. But I think that people in the arts represent something integral and kind of secretive in everybody else. So the reason people like some artists is because they're saying or doing something that they would like to do or say, but they don't have the balls or the means. People are really afraid to put their ass on the line. Just to put your face on a poster and put your name in big print and say "Come see me," that takes some cojones, you know? Ambition is nothing to be ashamed of.
I've got to work really hard and I know exactly what I've achieved because I know how hard I've worked, and I make sure to work as hard as I absolutely possibly can, because I know that's the only shot I have at being successful.
It's hard to explain why exactly, but I think that when I began writing plays, it was from an actor's point of view more than anything. I had the feeling that if you put yourself in the position of the actor on stage and write from that perspective, it would give you a certain advantage in terms of being inside of the play.
I would love to fight Ronda for the belt. I would love to avenge my loss and fight her again for what that means to me. I don't know what it means to her, but to me, that's what it would look like for me in perfect world.
I am a romantic, but I do put up a barrier around myself, so it is hard for people to get in and to know the real me. I fall in love much too quickly and that results in me getting badly hurt. The problem with love is that you lose control and that is a very vulnerable state to be in. I would love to really have a beautiful relationship with somebody, but it never seems to work out. What I would like most of all is to be in a state of blissful love.
It's just hard to say, "Well, I do this, which means this." If I'm telling you exactly who I am, then there's nothing for the audience to say.
I think that you have to have a really specific type of personality to be able to both direct and act, because it requires enormous shifts in perspective. I mean, when you're directing, you're looking at the world through a wide-angle lens, and you're seeing all of it. You know exactly what's happening in every corner of it. You know what people are going to say. You know what they're going to do. You're controlling everything.
Some may say that such a girl is not ready for a relationship with a man, especially a man in his late sixties. But to that I say: We don't know anything. We don't know how to cure a cold or what dogs are thinking. We do terrible things, we make wars, we kill people out of greed. So who are we to say how to love. I wouldn't force her. I wouldn't have to. She would want me. We would be in love. What do you know. You don't know anything. Call me when you've cured AIDS, give me a ring then and I'll listen.
Holly smiled weakly. Gerry would know exactly how she was feeling, he would know exactly what to say and he would know exactly what to do. He would give her one of his famous hugs and all her problems would melt away. She grabbed a pillow from her bed and hugged it tight. She couldn't remember the last time she hugged someone, really hugged someone. And the depressing thing was that she couldn't imagine ever embracing anyone the same way again.
A woman can beat me the day I stop working hard. I work so hard in the gym, it would be stupid of me to doubt myself. For me, I know that I'm unbeatable. You can put me in there with whoever.
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