A Quote by Aaron Bruno
More than anything, I’m excited to have the artistic freedom and opportunity to make a sophomore record. Everybody dreads the sophomore slump, whereas I am embracing it and can’t wait to either go down in flames, or take it to another level. It’s not going to be in the middle – it’ll be one way or the other. That’s how it has to be.
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Now that I understand how publishing schedules work, I can understand why many authors have the sophomore slump. A year is a long time to wait for a sequel, but it's a short, short time to WRITE a sequel.
You know, in college, your second year they expect you to have a sophomore slump.
I never even thought the sophomore slump existed. You hear the saying, but you never thought it was for real or anything. But that's kind of what happened to us last year, and I don't know really why that is.
My main memory of 'Soft Sounds' was that I was so convinced that 'Psychopomp' was this fluke - I had this real pressure of avoiding the sophomore slump.
I was afraid of the sophomore slump even before our first record came out. It was a very real fear because I'd watched so many bands I'd loved in the past not deliver. I knew it was a very real thing. I didn't know why it happens, but I'd been thinking about it a lot.
I went to the University of Michigan for two years, and I auditioned for 'Bring It On' during my sophomore year, so I got to finish my sophomore year, and then I joined the cast - the touring cast.
Soft Sounds' was really hard for me. I was petrified of the 'sophomore slump' so I created an environment to best combat that self-doubt and feelings that my first album was a real fluke.
There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.
Well the first record is something that you just put so much into. And the second record, people always talk about the sophomore jinx and everything, but I was still able to get through it and still focus on what I needed to do and make timeless music.
The first time I took a fiction writing class was sophomore year. And I just found myself taking that extremely seriously, in a way that I didn't take anything else seriously. So I guess that was the start of it.
If I was going to go to college, I had to have a scholarship. By my sophomore year, it was evident golf was not going to be the path.
Everyone in their career is going to go through a slump, but the thing is how you react to it. You're either going to talk about it or you're going to try to shoot your way out of it and I'm going to try to shoot my way out of it.
Since my sophomore year in high school, I knew I didn't want to do anything but be a professional athlete. I knew when I got to college there was no way anybody was going to stop me from being an NFL player.
Swim upstream. Go the other way. Ignore the conventional wisdom. If everybody else is doing it one way, there's a good chance you can find your niche by going in exactly the opposite direction. But be prepared for a lot of folks to wave you down and tell you you're headed the wrong way. I guess in all my years, what I heard more often than anything was: a town of less than 50,000 population cannot support a discount store for very long.
I think it's stripped down as far as electronics go, but we just wanted to write a record that we felt better represented how we sound live with more of a rock feel, which is the direction we've been heading. It's just an evolution of the band throughout the years. We worked on this record longer than any other record, so I don't know if "stripped down" is how I would put it; I think it is a little bit more raw sounding.
And then, when I left Princeton in the middle of my sophomore year, I went into the navy.
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