A Quote by Aaron Copland
Most people use music as a couch; they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
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I'm not meant to sit on the couch and not play music. But I never want to feel like I have to put out a record. I don't want to ever make those records.
I have never acknowledged the difference between serious music and light music. There is only good music and bad music.
Music, for me, in a film is never... I don't want to use music as a slave of the image. I want music to be art, or a body in itself to give something to the film.
I think that cheap music often does make you dream more than more serious music, whether that's serious music by Beethoven or Miles Davis or Pink Floyd... if the Floyd ever did serious music, which I seriously doubt.
There are musicians who want to make a living making music. There are listeners who want to listen to music. Complicating this relationship is a whole bunch of history: some of the music I want to listen to was made a while ago in a different economy. Some of the models of making a living making music are no longer valid but persist.
For me, let's keep jazz as folk music. Let's not make jazz classical music. Let's keep it as street music, as people's everyday-life music. Let's see jazz musicians continue to use the materials, the tools, the spirit of the actual time that they're living in, as what they build their lives as musicians around.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
A lot of people make music to sell music. I don't just sell music. I am essentially, I guess the word I want to use is, it's like an energetic transaction.
All I kept thinking about was, "Man, he's so relaxed onstage! I'm never going to be that relaxed! I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera."
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
I was never pop-music taken seriously when I was taught. But some people who agree with you will like your music, and some who don't agree with you will like your music. I think that if you can approach things in a universal fashion and speak rationally about things, then most people do have similar intrinsic values. They don't - or at least they feel that they shouldn't - want other people to suffer. They want a good life for them and their own.
The thing I liked most about Puri Sir is that he was so relaxed on the sets. So everyone else was also relaxed. Since there was no stress, one worked better.
I just want my music to be put out there, not shoved in people's faces. I want to keep it relaxed.
People never ask people doing serious music, 'Do you ever think about doing funny music?'
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
I've wanted to be Mick Jagger since I was 18. One of the things I love about music is that you don't have to be dependent on other people like you are in the film business. I hate being dependent on anyone. With my music, I can do whatever I want. I also think it's made me more relaxed as an actress.
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