A Quote by Aaron Dessner

I guess I like minor chords better than major ones, in general. — © Aaron Dessner
I guess I like minor chords better than major ones, in general.
Any quick analysis of a Beatles tune or a Cole Porter tune will reveal often simple but unexpected chords, chords that chromatically shift between keys, or between major and minor.
The strangest part of Indian music is its lack of chords: There's no such thing as major or minor, and it's unusual to hear more than two different pitches at the same time.
People don't know major and minor chords; they know what they like. I feel the same way.
The chords in 'Light My Fire' are based on [John] Coltrane's version of this song. He just solos over A minor and B minor, which is exactly what we did. Coltrane had played with Miles on Kind of Blue and took the idea of modal soloing over one or two chords farther out than anybody. He was a real pioneer - he just kept evolving, going where no one had ever gone. He could always attain this state of ecstasy when he played. Live, there was so much energy, you couldn't believe it. He would play for hours. It was indescribable.
I enjoyed hitting in the Major Leagues more than in the Minor Leagues. I didn't want to tell anybody it was easier, because I didn't want to sound cocky. But Major League pitchers had better control, and most of them were around the plate.
I don't like using fourths and fifths. Instead, I'll come up with a harmony line made up of major and minor thirds above the melody, then I'll drop it down an octave so that the melody is on top and the harmony line is major and minor sixths below it.
When it comes to fertility, there are so may things that have to go right. In any one individual, there might be one major problem and two minor ones or no major ones and seven minor ones. Throw in another person's physiology, and it's complicated. I try to give people the knowledge that they can make as many changes as they want.
We can no longer afford to spend major time on minor things than spend minor time on major things.
The third note in a chord is what depicts whether it's major or minor. Rhythm and Blues hardly ever uses it because it means that the melody is free to move between major and minor because you're not clashing with the third being depicted one way or the other.
I am a sad person. In this world there are people who like major notes and minor notes. I like minor notes.
I liked writing the negative ads more than - because it's more minor chords.
Minor vices lead to major ones, but minor virtues stay put.
The chances are that, in the course of his lifetime, the major poet will write more bad poems than the minor, simply because major poets write a lot.
Of course, every artist has 'minor works' that they do, but I don't think I have any 'minor disciplines.' Each discipline I approach as a major undertaking that I put my whole self into.
I liken movies to playing a piano: Sometimes you're playing the chords and different notes with unresolved cadences and playing all major chords that are all over the place, and you're enjoying yourself with a great, simple melody.
Major League Baseball has the best idea of all. Three years before they'll take a kid out of college, then they have a minor league system that they put the kids in. I'm sure that if the NBA followed the same thing, there would be a lot of kids in a minor league system that still were not good enough to play in the major NBA.
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