A Quote by Aaron Ehasz
The characters don't all have to be likable, and they don't all have to be hateable. As long as it's interesting and you connect to them and they resonate with you and you want to find out what happens and it feels authentic, then we have something.
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Sometimes, when actors reach out to their characters, they're nowhere in sight. They need to find something inside of them. And then the characters are right there. As a director, I want them to find the character that's already inside them, instead of trying to manufacture or manipulate or make something up. That's not really honest or true.
I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'
I feel very blessed to have had the opportunities that have already come. I want to pursue it as long as I can find characters that resonate with me and projects that resonate with me. I feel very comfortable in that world.
Ultimately, if the character is interesting and you said that before: It doesn't matter if it's likable. That's really what it is. If they interest you. If the context in which the characters are set interests you then I think then you're pulled in by it.
I really just like characters who you don't know where they stand for a long while. It's like people. You hang out with them for 10 years, and then all of a sudden they do something, and you say, 'Who are you?' That's more interesting. In life and on-screen.
If the entire script feels formulaic, then you know that the film will be like that. But if it's a really interesting script, and the character happens to be formulaic, then maybe there's a way of making them more interesting.
I've got everything against likable characters. Likable characters are usually completely forgettable, and we don't really care. I think we love villains... precisely because they show us these disturbing complexities that I don't think nice characters do.
I think one of my big skills is making unlikable characters likable or real in some way. No matter how hateful people are, there's always something vulnerable about them, or something that you can understand or relate to. I think that's my job as an actress - to find those.
My theory is that you find out who your true friends are when something good happens to you, not when something bad happens to you. Everybody loves you when something bad happens to you. Then you're easy to love.
To connect with the characters, you need to connect with the world. If the world feels vaguely familiar, I believe the characters will feel relatable.
If my voice can resonate that way with kids, maybe it will resonate through 'Planes' as well, and they'll hear that little something that I'm giving to them, a performance that says to them, "I want to try." It's all interconnected. I don't think it's thinking too deeply about it.
With a novel, you have the reader with you a lot longer, and you owe him a lot more. Obviously you have to have a plot - I say "obviously," although I think a lot of fiction doesn't, and nothing seems to happen. But to me, there should be something that happens, and it should be at least vaguely plausible. And because the readers are going to be with these characters for a long time, you have to get to know them and like them and want to know what happens to them.
We want these movies to be timeless, and we want people to really engage with the characters and find something that they can really relate to and emotionally connect with.
I really enjoy those characters like 'Profit.' With those elements that are shady and dark, you're not responsible for being a likable character. Like some of Jack Nicholson's characters, you remember them for so long.
I think even the characters that are fundamentally evil and wrong, I want people to really love them. I think that's important to writing believable characters. They don't have to be likable but they have to be loved, at least by the author.
The first thing, when I read the script, is that I need to care about what happens and feel compelled by the story and engaged by the characters. It needs to resonate with me, even if what the characters are going through is not something that I have experienced in my life. I have to feel like it has some sort of meaning to me.
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