A Quote by Aaron Ehasz

Wonderstorm is a new company and 'The Dragon Prince' is our first kind of big, exciting story that we're trying to bring to an audience. — © Aaron Ehasz
Wonderstorm is a new company and 'The Dragon Prince' is our first kind of big, exciting story that we're trying to bring to an audience.
One thing we never did with 'Bad Company' was talk down to our reader. And we certainly don't do that with the new story, 'Bad Company, First Casualties.'
I wouldn't say I'm changing myself to find a new audience. It's about growing, trying new things. There's a whole other world out there that doesn't know who Prince Royce is.
'Ten Days in the Valley' has everything: It's a thriller, it's a taut, exciting love story, and it has the kind of character our audience loves - a strong, powerful woman who is also dangerously flawed.
A lot of entrepreneurs hate big companies. But if you hate them so much, why are you trying to build a new one? The truth is, as soon as a startup has any kind of success whatsoever, it will face big company problems.
After The Silence of the Lambs and Hannibal, the audience would like to know where, when, and who arrests Hannibal Lecter for the first time. This is the story of Red Dragon.
I'm trying to bring a new generation into the musical theater and to create a new audience.
This #MeToo world, it's not new. None of us believe it's new. It's exciting that we find ourselves with a hashtag and a movement, but in general, none of these stories are new; it's just there's an audience now, and everybody's interested in trying to be responsible about this.
We just assume all the great actors are in New York first and then L.A. second, and it's so not true. There's such amazing talent everywhere. It's exciting that now that there are these sort of new Hollywoods or new filmmaking communities that really benefit from these great faces and character actors and leading actors that just are fresh and exciting and bring an authenticity to the piece.
I really like the story of Bardock, Goku's father. It's quite dramatic and the kind of story I absolutely wouldn't draw if it were me. It was like watching a different kind of 'Dragon Ball' in a good way, so I thought it was nice.
ABC Family is really restructuring their network because there's a new kind of family, so I think they're really trying to step away from that younger audience, and they're bringing a network that can bring more to an older demographic.
For people who are coming out of an oral tradition, it is very exciting to get into reading and writing and it is quite interesting how frequently people want to write their own story. Sometimes it is straight history - this is how we came about, how our town was created, a lot of that kind of effort, as soon as literacy came. The first thing you wanted to do was to put something down about who you are or how you are related to you neighbors. Then the next stage would be the stories, the cultural part of the story: this is the kind of world our ancestors made or aspired to.
It used to be that you needed a $500-million-a-year company in order to reach a worldwide audience of consumers. Now, all you need is a Steam account. That changes a whole bunch of stuff. It's kind of a boring 'gee, information processing changes a stuff' story, but it's going to have an impact on every single company.
When a character has as wide an audience and as rich a history as Batman, it's truly exciting to see him introduced into an all-new storytelling medium. BATMAN LIVE will bring a completely new experience to fans of the character - it's great to be able to give them something they haven't seen before.
When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
Our experience on 'Avatar' heavily influenced how we approached 'The Dragon Prince' and how we built our team.
The only part of 'A Ghost Story' that was reactionary was a temporal one. I had spent so much time making 'Pete's Dragon' that I was really impatient and excited to make something new. When this project presented itself, I was ready to jump right into it. I started shooting two days after 'Pete's Dragon.'
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