A Quote by Aaron Huey

I wanted to be a painter, somewhere between Abstract Expressionism and Pop. — © Aaron Huey
I wanted to be a painter, somewhere between Abstract Expressionism and Pop.
When I began as an artist, I already did not like expressionism, or abstract expressionism, because abstract painting had already been done. I did not want to belong to any one group or the other, and I'm not one or the other.
I wanted to be an abstract painter, but I was rotten at it.
Pop is everything art hasn't been for the last two decades...It springs newborn out of a boredom with the finality and over-saturation of Abstract-Expressionism, which, by its own esthetic logic, is the END of art, the glorious pinnacle of the long pyramidal creative process. Stifled by this rarefied atmosphere, some young painters turn back to some less exalted things like Coca-Cola, ice-cream sodas, big hamburgers, super-markets and 'EAT' signs. They are eye-hungry; they pop.
Somewhere between psychotic and iconic/ Somewhere between I want it and I got it/ Somewhere between I’m sober and I’m lifted/ Somewhere between a mistress and commitment
Abstract Expressionism was invented by New York drunks.
I always think about what's the difference between being tenacious and having an inability to learn from failures. The difference between the homeless guy who wanted to be a great painter and the guy who is a great painter could be anything.
Abstract expressionism was the first American art that was filled with anger as well as beauty.
Food became, for dinner parties in the sixties, what abstract expressionism had been in the fifties.
The truth is, the difference between a studio photographer and a photojournalist is the same as the difference between a political cartoonist and an abstract painter; the only thing the two have in common is the blank page. The jobs entail different talents and different desires.
In many museums, you see one of this and one of that. You gain an understanding of what Abstract Expressionism or Minimalism is, but you aren't given the chance to appreciate the mind of an artist.
I think more than writers, the major influences on me have been European movies, jazz, and Abstract Expressionism.
I think that ideas exist outside of ourselves. I think somewhere, we're all connected off in some very abstract land. But somewhere between there and here ideas exist.
We live in an age when the traditional great subjects - the human form, the landscape, even newer traditions such as abstract expressionism - are daily devalued by commercial art.
I was a student at Harvard, and that's where I learned about so-called avant-garde music. Jackson Pollock, abstract expressionism and painting were well known at this time.
I thought, enough of this, I'm not an abstract painter, what the hell am I going to do? Should I get a job in a shoe store, sell real estate, or what? I was really depressed by the whole thing, because I felt like a painter, yet I couldn't make paintings.
I went to the Mary Lee Burbank School in Belmont. And it was a place where you, like, learned to go to the store? And I was saying, Oh God, I want to learn something else. I wanted to learn to read and write better and do mathematics better. They were very much into Abstract Expressionism and that artsy stuff. And where most kids did what I call meaningless blobs, I could render perfectly.
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