A Quote by Aaron Judge

If I'm making consistent contact, even if they're outs or right at somebody, if I'm just making consistent contact, I'm happy. — © Aaron Judge
If I'm making consistent contact, even if they're outs or right at somebody, if I'm just making consistent contact, I'm happy.
A writer starts out, I think, wanting to be a transfiguring agent, and ends up usually just making contact, contact with other human beings. This, unsurprisingly, is not enough.
So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.
I don't really set personal goals for home runs or anything like that. However many I hit, I hit. If I'm making consistent contact and hitting the ball hard, then I will hit home runs.
Flirting all starts with eye contact! You can tell a girl is into you if she's across the room and still making eye contact with you.
I have a problem with making eye contact with people, or with holding eye contact.
Research shows that making eye contact is a powerful draw for guys - even in photos. Just don't mistake duck face for flirty.
Many photographers are consumed with the idea of making beautiful contact sheets. I am far more interested in making the best final print I can.
Stand-up and sketch and improv - that's the most direct contact you can have with somebody, making them laugh. I like that. I like the intimacy.
Just in terms of the demeanor and the approach and just making sure that I'm consistent in the way I do things - that is the biggest thing for me.
I think as long as the standard of quality, the story-telling, film-making, acting etc. etc. remains consistent, then you've got a good change of making a decent anthology.
I have a big thing with eye contact, because I think as soon as you make eye contact with somebody, you see them, and they become valued and worthy.
I know that lack of contact creates more lack of contact, and contact creates more contact, or at least an ability to talk to with each other.
My intention always has been to arrive at human contact without enforcing authority. A musician, after all, is not a mili- tary officer. What matters most is human contact. The great mys- tery of music making requires real friendship among those who work together. Every member of the orchestra knows I am with him and her in my heart.
I'm pretty selective. I generally edit the contact sheets and then do work prints. Because I have my own lab and printers, I can afford the luxury of going through the contact sheets for black-and-white, making up work prints, seeing them big, and honing them down.
It's not about making the most shots or even dunking the ball or any of that. It's about being consistent every day you step on the court.
Talk of mysteries! — Think of our life in nature, — daily to be shown matter, to come in contact with it, — rocks, trees, wind on our cheeks! The solid earth! The actual world! The common sense! Contact! Contact! Who are we? Where are we?
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