A Quote by Aaron Korsh

Sometimes losing a series regular, if you're going to replace them with another series regular, that will put added pressure on your budget. — © Aaron Korsh
Sometimes losing a series regular, if you're going to replace them with another series regular, that will put added pressure on your budget.
In the mini-series area, we are going to have a regular year-round, weekly presence on Encore of classic mini-series and a new mini-series that we are bringing. For the time being, I think the home of mini-series will be on Encore.
I'm the first social media star cast as a regular on a Disney Channel series, and I think I'm the first one under 25 from social media to become a series regular.
I think as of right now, we're not hiring an individual to be a series regular and be in every episode to replace her. We're dealing with what we have, and some of it has to do with, as shows get older - I'm learning this as a new to a long lasting series - you start to have maybe some budgetary pressures over time, as people's salaries go up.
I was a regular, so that meant I was working every week on the series. Which was fine. 'Family Ties' was a fantastic series. It's all good.
It's been an interesting progression, going from soap to a sitcom with 'How I Met Your Mother' and now being a series regular on 'Homeland.'
It's very different doing a food show in America and doing one in Britain. I did a 20-part series for the BBC series called 'Eating With the Enemy.' The budget for all 20 episodes was probably the budget for a single episode of 'Top Chef.' It's the difference between making a home movie in your backyard and going to Hollywood.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
My parents didn't want me to be a regular in a series. I was a working actor from time to time but they thought was a little too much being a star of a series. They wanted me to have a slightly more normal childhood.
I don't get sick of being naked, but the added pressure is staying in really good shape, because naked shape is a different kind of shape than just regular TV shape. Regular, having-your-clothes-on TV shape is intense, but naked TV shape is, I mean, you really have to watch what you eat.
Sometimes you get caught up in what's going on around you. The reality is that you are just a regular person. At some point, the career will be over, the bright lights turn off. That can come back to haunt you if you're not just a regular guy.
There are only so many 'series regular' trans roles on TV.
Being of tall stature, it's rare to get a series regular role.
Everybody wants to be a series regular. It's something that a lot of actors would kill to have.
We have a series of regular meetings with South African business. Big business. Black business. Agriculture. As well, of course, with the trade unions. A whole series of meetings like that which engage issues that these South African social partners need to address.
Every experience I've had with 'Power' has been so great, so to become a series regular was fantastic.
When you're not under a 'series regular' contract, and other jobs come up, you try to juggle everything.
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