A Quote by Aaron Korsh
I'm not sure if we're going to or not because what happens is I'd always love to see certain characters back, there's so many. Some of it has to do with, if we want them back, are they available and the other aspect is do they fit with the storyline we're telling.
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A TV show has to be a certain length and, you know, you have expectations from the viewers. You know, you want to see the characters again, or you want to see certain dynamics between the characters or certain kinds of storylines. And you kind of figure out how to best fit what you want to say into that format.
I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.
People expect some kinds of decisions from Putin that will help them see their own future. A significant part of the people that he relies on are quite content with him telling them that nothing is going to change. But that part of the elite that does want to see some changes and improvements are going to expect him to, in his next term, bring Russia back into the club of the great powers.
I definitely see myself continuing to transition into more acting roles. I'll always be a coach. I'm always going to have a training center, always going to work with guys that are looking for some input and want help. I love commentating, and that's something I can always go back to and enjoy doing.
Audiences will see what they want to see. Some will come out, hopefully enjoying two hours of action. Some people will find themselves gravitating towards the emotional dilemma that the characters find themselves in. Other people will see that there is some layer of subversions to the storytelling aspect of poking a finger of judgment at certain governments to the idea of foreign invasion, others maybe false pretenses.
Not going back is fine. Not going back but occasionally visiting might be best. Not going back but remembering so you don’t see the same view twice. Not going back so you can turn a new page, write a new chapter, develop an entire new list. Not going back so you can stretch and grow and see yourself in a light that you never knew existed. Not going back so that you can fly. Fly.
'Pitch Perfect 2' is about the Bellas and what happens to them as they get older. All your favorite characters are coming back. Chrissie Fit was great, and Hailee Steinfeld is such a pro - she fit right in. I had no idea she was 17! She's the most mature girl ever.
My characters who come back from death are worse for wear. In some ways, they're not even the same characters anymore. The body may be moving, but some aspect of the spirit is changed or transformed, and they've lost something.
I break my back for music because it's something that I love, but I'm not going to break my back for a bank. I wouldn't want to be an ATM repairman; there are some things that just aren't worth it.
I never really approach any project or story thinking of themes first or what a certain character 'represents.' Maybe other writers do, but for me, it just starts with the characters and a certain emotion I want to convey. It usually isn't until I get deeper into a book and look back a bit that I start to see the themes, etc.
I had to overcome many things, many people telling me no. If you want it, and you believe in it, you have to do it. And I know it’s silly, and I know I’m kind of irrationally optimistic, but you have to be and you can’t really have another plan, because you’re going to fall back on it.
There are so many different aspects of my life - the on-camera aspect, the laid-back aspect with my friends and family, the career-oriented aspect, the design aspect.
Looking back, yes, I made too many comebacks. But each comeback I was 100 percent sure that I would win. I never came back for the money, because I didn't need it. The adulation I was getting anyway in other spheres. But I'm a guy who likes to see how close he can get to the edge of the mountain - that's what makes me tick.
I love going back on 'Arrow.' It's always fun to see friends when I go back there.
The clothes I wear... that doesn't change. I love long dresses. I love velvet. I love high boots. I never change. I love the same eye make-up. I'm not a fad person. I still have everything I had then. That's one part of me... that's where my songs come from. There's a song on the new Fleetwood Mac album [Mirage] that says, 'Going back to the velvet underground/back to the floor that I love,' because I always put my bed on the floor. 'To a room with some lace and paper flowers/ back to the gypsy that I was.'
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