A Quote by Aaron Korsh
I would love to see any one of those people again [Erik Palladino, Paul Schulze, Ian Reed Kesler, even Malcolm-Jamal Warner, Carly Pope,], and I definitely suspect we will see at least one or more of them again, but other than, obviously, Carly Pope, because we leave off anticipating seeing her again [in Suits], of the other ones, we have to figure out a way to make them come back and we haven't yet.
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Well, first of all, let me say, Erik Palladino, Paul Schulze, Ian Reed Kesler, even Malcolm-Jamal Warner, Carly Pope, we just had an outstanding cast of a guest cast in [Suits].
Better far off to leave half the ruins and nine-tenths of the churches unseen and to see well the rest; to see them not once, but again and often again; to watch them, to learn them, to live with them, to love them, till they have become a part of life and life's recollections.
Do what you LOVE to do, and do it so well that those who come to see you do it will bring others to watch you do it again and again and again.
The question is gonna be, what is the pope doing? For whom is the pope doing it, if the pope is doing it for anybody? But that's gonna be what it boils down to: What is the pope doing here? Why? And I'll tell you this. The more establishment figures - and the pope qualifies as an institutional leader, and therefore the pope would qualify in many people's eyes as an establishment figure, particularly this pope, who has not hidden his ideological alignment, much less his political alignment.
Strip back the beliefs pasted on by governesses, schools, and states, you find indelible truths at one's core. Rome'll decline and fall again, Cortés'll lay Tenochtitlán to waste again, and later, Ewing will sail again, Adrian'll be blown to pieces again, you and I'll sleep under the Corsican stars again, I'll come to Bruges again, fall in and out of love with Eva again, you'll read this letter again, the sun'll grow cold again. Nietzsche's gramophone record. When it ends, the Old One plays it again, for an eternity of eternities.
I like it when people come to see me again, but you end up playing to that person only. You know there's other people out there, but you also know that the person who came to see you again is there. You're like, "I hope he's happy again."
Earthly love… is temporal and slight so that is has to be given again and again in order for us to feel any sense of security; but God’s love, God’s voice and presence, would instill our souls with such affirmation we would need nothing more and would cause us to love other people so much we would be willing to die for them.
Pope John Paul II's press secretary, who said, See, if only the Pope were Italian, he woulda shot back! Never got a dinner!
I would remind people that this day of your life will never come again. Do not use one day of your life carelessly. It will never come again. You'll never see the person you're sitting across from in that light or in that way. You will never see the sunset twice. This day will never come again.
There's very much a domino effect when I'm playing. In fact, that's a good way of putting it. I'm trying to topple all the dominos in a single stroke. That would be a show with perfect momentum. Every now and again, you get one of those dominos that moves to the side a little bit, traps things and you have to stand them all up again and see if people will go with you. They'll let you off a few times but if you make too many mistakes they'll get a bit anxious.
Make America great again? Right, but now it comes back to us in a completely twisted way. And in some ways they achieve that, or they at least achieve the appearance of that, but now you try and do it again and it's just... it's so out of sync with who we obviously are as a people.
They are all I have left—the stars and the memory of the many times I wished upon them. But with all those wishes, I asked for only one thing. To see him again. But I will not see him again. I do not see him now.
Other thing about [Field Museum of Natural History] which inspired was that in a group of pots you wouldn't see a single example of this kind of pot. You would perhaps see a case with 20 different examples. So you realize that these pots could be repeated again and again, and each time there would be minor variations in them.
You figure out how to create opportunities to make music, and then, if you take care of the music, audiences will come around. They also might leave. What matters is the moment: the moment of making music, with and for and among others, and what that offers to those people in that moment. They might never see me again; they might never learn my name. But it might still be something they carry with them.
My friendships, they are a very strong part of my life, they are as light as gossamer but also they are as strong as steel. And I cannot throw them off, nor altogether do with them or without them. And I love them at the point where they say: It is nice to see you again. And I love them too at the point when they say: Good-bye, come again soon. The rhythm of friendship is a very good rhythm.
If every trace of any single religion were wiped out and nothing were passed on, it would never be created exactly that way again. There might be some other nonsense in its place, but not that exact nonsense. If all of science were wiped out, it would still be true and someone would find a way to figure it all out again.
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