A Quote by Aaron Lazar

In graduate school, Aubrey Berg at the Cincinnati Conservatory gave me the chance to perform with the best in the country in Broadway caliber productions. — © Aaron Lazar
In graduate school, Aubrey Berg at the Cincinnati Conservatory gave me the chance to perform with the best in the country in Broadway caliber productions.
I always show loyalty to the people who gave me a chance from the get-go, and Cincinnati gave me that chance.
For graduate school I ended up going to the University of Iowa, which is, of course, the best graduate writing program in the country.
My grandparents actually, whenever they got the chance, took me to Broadway, but that started when I was in high school, because that's when I realized... At the very beginning of high school, I realized, 'Oh my gosh. Okay, this is a career choice for me.' So yeah, then they always brought me to New York to see Broadway shows whenever they could.
In Holland, I have got the buzz back playing as a centre-forward, which is where I perform best. Ajax always appealed to me from when I was young and they gave me a chance to play in the Champions League too.
If I wanted to be Rimbaud, what was I doing in graduate school? Trying to stay out of the army, of course. Graduate study gave me a draft deferment. But I also knew I lacked erudition and polish and was often sunk in forlorn reveries.
Thus having been undeservedly accepted at the Conservatory as a professor, I soon became one of its best and possibly its very best pupil, judging by the quantity and value of the information it gave me!
For some reason, they always gave me a fat suit in high-school productions. If there was a character who needed to be robust, they gave me a fat suit, and I put on a silly voice.
I got to perform the [Jaques] Ibert Concertino Da Camera with a brilliant pianist at school named Chunga. I got to perform the [Alexander] Glazunov Concerto in senior year with our school orchestra and the Jewish Grossman orchestra. I won a scholarship from the Goldman band to perform the [Paul] Creston Concerto. Which I never played with them, but they still gave me the money.
The most important steps that I followed were studying math and science in school. I was always interested in physics and astronomy and chemistry and I continued to study those subjects through high school and college on into graduate school. That's what prepared me for being an astronaut; it actually gave me the qualifications to be selected to be an astronaut.
My country owes me nothing. It gave me, as it gives every boy and girl, a chance. It gave me schooling, independence of action, opportunity for service and honor.
It was actually a women's writing group I belonged to in graduate school that gave me the courage to move from poetry to fiction.
Part of the great thing of looking back on how I went from the cattle ranch to the White House was, I was a country music DJ. I saw Garth Brooks perform for free in 1992 at the Colorado State Fair where I met this person who knew about this graduate school program.
My attitude toward graduate students was different, I must say. I used graduate students as colleagues: I gave them the best problems to work on, and I encouraged them.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I'd studied English literature and American history, but the English literature, which I thought was going to be helpful to me in an immediate way, was the opposite. So I had to un-think a lot of things and move out of my own head, and I learned a lot. It was like graduate school, but an un-graduate school or an un-school.
I love sitting down and talking to people. CNBC gave me a chance to do it in a way that I liked. They gave me a chance to also develop the skills to learn from my mistakes.
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