A Quote by Aaron Lines
For me, writing music is a good way to say what's on my mind. It's less vulnerable in a way, less embarrassing, less exposing to the idea of seeing someone's reaction. The thing about it, though, is you need to be ready... especially if you've got something you're burning to say... even if it's just what some people might think is just a small moment that nobody'd ever bother with or notice.
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What do you mean less than nothing? I don't think there is any such thing as less than nothing. Nothing is absolutely the limit of nothingness. It's the lowest you can go. It's the end of the line. How can something be less than nothing? If there were something that was less than nothing, then nothing would not be nothing, it would be something - even though it's just a very little bit of something. But if nothing is nothing, then nothing has nothing that is less than it is.
I started out writing when I was young; stuff about exposing the truth about how people are not what they appear, about how they are much more dysfunctional than they seem. Pulling back the curtain - that felt smart. But as I got older, exposing how frail people can be seems less and less deep.
I reckon I've done my bit. I want to enjoy myself a bit now, with less responsibility, less frantic rushing about, less preparation, less trying to think of something to say.
When I'm writing something, if there's a part that's good for me, then I'll play it. Otherwise, I don't. And I notice that there are less and less parts for me in my own writing.
Since becoming a mother, I'd say it's more so affected my general outlook on things. I'm less worried about everything. Less scared to make those numbers that people think are standard or less scared to create something that maybe I don't think people are going to like, because it's all about if I like it. I need to be happy.
When I first started performing, some people were there just out of curiosity. I think that happens less often then you'd think, but when it is happening it's very obvious and I can tell what's going on. I had some of that in the beginning, but I think that ultimately I got a pretty strong fan base based on just my personality alone, and my honesty, my music. So it wasn't based on anything else, and I did notice if someone else came looking for something else, they'd probably leave, or complain it was too loud or something.
I want less and less control with music. Just playing music without any idea of composition or writing.
Another thing I like to say to my students is this: "How many Corinthians read Paul's letters?" The answer is none. They couldn't have cared less! There aren't even any Corinthians left, but Paul's letters persist. Paul was not a professional writer. He was called to something, and he sent his letters. That's a good way to look at it. That you might be making something that nobody cares about, but you have to do it. It's not that people should care, but that you should care.
I'm more or less happily writing Chapter Six of The Graveyard Book. I say more or less as I'm at that place where I hope that the book knows what it's doing because right now I don't have a clue - I'm writing one scene after another like a man walking through a valley in thick fog, just able to see the path a little way ahead, but with no idea where it's actually going to lead him.
I was raised in the church, and there's still a fire burning inside me. I definitely don't ever want to be preachy. But less and less young people are religious. The thing is, I see so many positive things about religion, so I'm happy to talk about it.
I can't say that fantasy instead of the 3D world is fine or good, but I know in my own life I have certain people I've kind of fixated upon to the point of pure fantasy. Then there's such a dilemma when here they are, and they're getting ever less and less like the way the fantasy has them.
Pretty much everyone I know, no matter what size, is trying some system. Even when someone gets to looking like she should be so proud of herself, instead she's like, 'I could be another three pounds less; I could be a little taller and have bigger lips.' Where does it end? You just have to say, 'It's pretty damn good. I am right here at the moment and I'm OK with it. I've got other things to think about.'
There's something grueling but very appealing about rough, to-the-bone material in a low budget context. There's less between you and the material. There are less people. There is less time. There's often less technology. You have to concentrate very intensely, and you jump in a little deeper because there's nothing in your way... but there are challenges.
I play chess about four hours a day in training camp. You have to decide what move to use, or what combination of moves. I think less when I box because the reaction time is a lot quicker, but some people call me the chess boxer because they say I think too much in the ring. I take my time and they don't see the action they want. Some boxers just go in there and just throw punches and hope to win.
I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.
If you have anything to say, anything you feel nobody has ever said before, you have got to feel it so desperately that you will find some way to say it that nobody has ever found before, so that the thing you have to say and the way of saying it blend as one matter--as indissolubly as if they were conceived together.
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