A Quote by Aaron McGruder

I cannot be made into the commentator for the unspoken black masses. — © Aaron McGruder
I cannot be made into the commentator for the unspoken black masses.
We got to face some facts. That the masses are poor, that the masses belong to what you call the lower class, and when I talk about the masses, I'm talking about the white masses, I'm talking about the black masses, and the brown masses, and the yellow masses, too. We've got to face the fact that some people say you fight fire best with fire, but we say you put fire out best with water. We say you don't fight racism with racism. We're gonna fight racism with solidarity. We say you don't fight capitalism with no black capitalism; you fight capitalism with socialism.
Painting is an unspoken and largely unrecognized dialogue, where paint speaks silently in masses and colors and the artist responds in moods.
I have made it a point to reach out to the masses personally - so I am there as a symbol for the masses.
Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.
I know I got it made while the masses of black people are catchin' hell, but as long as they ain't free, I ain't free.
To be a commentator, you must have a life outside cricket, too. If cricket is all that you know, then you would not be a great commentator.
A good commentator is someone who obviously people like listening to, who gets the blend between description, entertainment and accuracy of conveying the event right. If you can do that in an interesting way, you are a good commentator.
Men cannot be raised in masses as the mountains were in he early geological states of the world. They must be dealt with as units; for it is only by the elevation of individuals that the elevation of the masses can be effectively secured.
Just being a commentator is not as easy as people think with going out there and talking for three hours. So, I don't call myself a commentator: I call myself an analyst.
The masses go into a revolution not with a prepared plan of social reconstruction, but with a sharp feeling that they cannot endure the old regime. Only the guiding layers of a class have a political program, and even this still requires the test of events and the approval of the masses.
My job is to be the constructive awakener of the black masses of the world so them know themself and others know what black people suppose to be and where.
In 1965, Gibson made the red one I use now, and a black one, which was the first black 335 they ever made.
About the time I was 7, I got really into black-exploitation films, so I made my own Wonder Woman, but I made her black.
As a young black boy, it made me proud to see black leaders that did something amazing and made the world change.
I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us, made it very clear what we were.
What I mean by "An Unspoken Hunger." It's a hunger that cannot be quelled by material things. It's a hunger that cannot be quelled by the constant denial.
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