A Quote by Aaron McGruder
It's not the norm when creators have any protections with regards to creative control. And so it took some time, I think, for the strip to gain enough popularity where I had enough leverage to come in and say, "It has to be done in a certain way or it's not going to be done at all," and then have people willing to put up with that who were ultimately paying for it. You know, for them to be willing to kind of concede those kind of things. It just takes time, you know?
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We have people there who do have substantial wisdom and substantial experience. And if they were confident enough to express their own views, that they wouldn't be bushwhacked by the party for casting a single vote like Bob Bennett was or like I was, they'd be willing to speak up and they'd be willing to speak their consciences and put their ideas on the line. But right now, there is timidity, there is fear that if they do that a single votes gonna cost them their job and they're not willing to make that kind of a sacrifice and they're not enough with the people.
One of our troubles is we are not willing to humble ourselves. We are not willing to give up our opinions as to how things should be done. We want a revival to come just in our way. You never saw two revivals come just alike. We must let them come in God's way. People are ashamed to admit they need a revival. If you are not willing to take the shame on yourself, you then let it remain on Jesus Christ. You must bear the reproach of your sinful state of indifference, or the cause of our Master must bear it.
I'm writing for my ideal reader, for somebody who's willing to take the time, who's willing to get lost in a new world, who's willing to do their part. But then I have to do my part and give them a sound and a voice that they believe in enough to keep going.
We have consciousness and rational powers but unless you're willing to spend the time to gain control of yourself, gain control of your emotions, to think deeply about what you want in a year or two, or where you want your business to be, you're going to be swept away by every new event that occurs in the course of the day or the week and the small amount of time that you plan, that you address to conscious planning, is never enough to overcome the constant tide of emotions and new things happening.
You want a poem to unsettle something. There's a deep and interesting kind of troubling that poems do, which is to say, 'This is what you think you're certain of, and I'm going to show you how that's not enough. There's something more that might be even more rewarding if you're willing to let go of what you already know.'
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
I have a feeling that you're riding for some kind of a terrible, terrible fall. But I don't honestly know what kind.... It may be the kind where, at the age of thirty, you sit in some bar hating everybody who comes in looking as if he might have played football in college. Then again, you may pick up just enough education to hate people who say, 'It's a secret between he and I.' Or you may end up in some business office, throwing paper clips at the nearest stenographer. I just don't know.
Done time in the lock-up, done time on the streets. Done time on the upswing, and time in defeat. I know what I'm askin'. I know it's a lot. Just to say that I love you. Believe it or not.
On one hand, I kind of feel like I have unlimited options right now, and obviously that's not technically true, but when you're at this place where you're just kind of dreaming up stuff, your imagination is your limit. That's where I'm at, which is great, but ultimately I think you have to make these decisions to close off some options to yourself. I think things only get done when you say, "This is the one thing I'm doing," and you kind of kill the other ones in the meantime. So I haven't done that yet, I've got to figure that out.
I've noticed that as someone who has done music and creative things in Washington state and Portland, to kind of toot your own horn, or admit, "I'm going for it. I'm hustling," is not exactly the norm. Which is weird, because you go to New York, or LA, or anywhere else, you've got to be gunning for it - and you should be - you're part of a fast-moving stream of other people who are really ambitious. People move here to work less. So, to say that you're hustling all the time, and going for it, is kind of a little bit against the grain here.
You can't just think that you will get a job for no good reason... And I think that the other part is you have to work your way up, you know I did a lot of Xeroxing and getting coffee...I always did what I was asked to do. I delivered. People knew that I would get things done and get them done well. And that is a big part of our resumes, are based on being responsible and being willing to do what needed to be done.
Now I don't care what people think. I did some internet campaign where I was the voice of a puppet for Ford Focus ads because they were paying me a lot of money to do it, it was a very easy gig, but then the bonus was, it turned out to be an enormous amount of fun. I've learned not to turn my nose up at things just because they're not what other people might consider cool to do. Because I've also matured enough to know, you never know where these things are going to lead, and you never know what the experience is going to be like.
I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David, and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.
I just always wanted a platform. In the past, I always dreamed of having a following and a fan base - you know, a group of people just listening and paying attention to what I was making. I think the reality kicked in that you have to make a living so that you have enough time to keep creating, you know? 'Cause if you're not making a living at this, then you're making a living working another job, and if you're working another job, you're spending all your time doing that and can't put enough time into the music.
I'm always doubting my work, even when people are kind enough to say good things. I still have a hard time believing I've written some books, let alone that they've actually done pretty well.
If you think you're good enough, then you find it preposterous when somebody doesn't acknowledge that... That's propelled me in many ways - maybe thinking I deserve things that I don't at some time. But I'm always willing to put in the work.
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