A Quote by Aaron Mooy
I don't really watch one player and copy him or anything like that but if I see something that I think could work then maybe I'll try it.
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I can't justify taking one minute of free time for myself. I'm restless to do things. Anything! Hell, I'll watch Top Chef and I think, "God, maybe I could be a chef," I'll watch a dancing show and think, "God, maybe I can be a dancer." I mean, that's how I got into acting. I visited an improv show and thought, "Hey! I could do this." It sounds like arrogance, but I don't think it is... just an ambition to reach out and touch something new.
I don't have to be stressed about it. When people watch videos of teams, they might see a certain player and think, 'If we kick him a little bit, maybe he'll get angry, maybe he'll get a booking.
Even from when Lionel Messi was very young I could see that he was a great player. A lot of people spoke about him, and then when I saw him myself for the first time I could see the amazing quality that he had. I didn't teach him anything - he had enough quality himself.
I think what's happening for me, it's fun to see other things besides Facebook and Twitter take hold. The maturity of Tumblr as a real player is exciting. I think Pinterest has proved to be a major player. It's fun to see Instagram become a major player. It's fun to watch things like SnapChat, and Vine, try to vie to be the next thing.
I think that initially all I wanted to do was work as an actress, and then, as I started to work more consistently, you start to maybe want to challenge yourself in different ways, so I think it's something that developed over time - this desire to direct and also to produce. I think as you watch other actresses do it so successfully and so gracefully, you're like, I think that would be fun! It's definitely something that has become more of a priority for me.
I don't know, scene stealing is something I see as, people look at it, it could be a positive thing, but I really like to think of myself as a team player. It's kind of like one player can make the other teammates better, kind of like Larry Byrd dishing off.
People will try to copy what they can see, which is the final product or service, but it's much harder to see (and copy) all the intricacies of the business model that allows you to create, capture, and deliver value. And that's what you need to get right to really jam something down people's throats!
You know if I see a work that really I am very affected by and inspired by then it makes me want to try things with my work that maybe I hadn't considered trying before and I think that is the biggest complement that you can pay somebody.
I think what's really important from a player is to understand what you did well in that match and see maybe if there's a few areas that you could have done a little bit better, identify them, try to implement it, and keep getting better as the tournament goes on.
I only try to talk to people about things I really do use in my shot. If I see something similar and something that will help them, then you try to come to them and say, 'I think I might have something for you. Think about it if you like it.' If they do, and they want to keep talking about it, then I will.
I think you have to embrace being a role model because you are in the public eye, and whether you like it or not, people are going to be affected by you positively or negatively, ... Public-wise, I really wouldnt do anything that would be detrimental to anybody else or to myself. And to a certain extent, I try to watch out and try not to do anything that would be bad for kids to see.
All kinds of violence on the TV. You're not supposed to watch violence on the TV. Children, they can't watch it 'cause they're afraid maybe the kids will copy something they see on the TV. I can't even get a funny cartoon anymore because some 12-year-old somewhere watched a particularly violent episode of the Road Runner-Coyote show, and the next day, they found him at the bottom of a canyon, two giant springs strapped to his feet.
You definitely go through a stage, most coaches do, where you see a good player and you get enamored, you really like what the player does, but then when you put him into your system, it's not quite the same player that he was in another system. He has some strengths, but you cant utilize all those strengths. If you try to utilize all his strengths, you end up weakening a lot of other players who are already in your system.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
There's always so much music around me now, it seems like everything has to be something with music, so in my spare time I try not to listen to anything. It's so hard for me to listen to something without trying to see a benefit in it: "Maybe I'll make my own version of that track or maybe I'll do this or that." When I'm off I just don't want to hear anything.
Steven Gerrard was someone I looked up to massively. I'd always try to copy him, right down to the boots he was wearing. It was his attitude on the pitch that stood out - you could really see how much he hated losing.
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