A Quote by Aaron Neville

I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans. — © Aaron Neville
I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
I've always loved New Orleans music. I always loved it when the Neville Brothers opened up for the Grateful Dead and the Dirty Dozen and all that.
You've got different people that have different views of New Orleans. When you say 'New Orleans,' you have people who just think of the Neville Brothers. You've got people that think of Louis Armstrong. You say 'New Orleans,' and you've got people that think of Lil' Wayne.
Essence is something I always enjoy, because I love New Orleans. Since they brought it back to New Orleans, it's a special place to me. We been doing it since the beginning. We did it when it was in Houston, but there's nothing like New Orleans.
Working with the brothers can put pressure on my voice, so I choose to do my own solo thing so I can save my voice. I couldn't do both now. The Neville Brothers is a funk band; they play loud, and I have a strong voice.
No matter what setting I play in, I will always be New Orleans. It's one of the only cities where you can hang out with the Marsalis family, the Neville brothers, whoever it might be, and we all play together.
I have a love-hate relationship with New Orleans, which is the strongest sort of relationship. I've had some extraordinary, beautiful, poetic experiences in this city and I've had some terrible experiences in this city. I'm drawn to New Orleans, in many ways feel I grew up in New Orleans, even though I'm from the West.
My last trip to New Orleans was for the fifth anniversary of Katrina, and I had the awesome opportunity to bring my family down. We all worked on a house together and met some of the families.
My mother was a teacher for 40 years. She was part of the United Teachers of New Orleans.
As a youngster I worked the river boats going down the Mississippi and Illinois Rivers, pushing barges to Chicago, then all the way down to New Orleans.
I blame and credit my brothers for my competitive fire within me. Growing up, I lost at everything! My brothers are quite a bit older - 10 years and 5 years - so it was a challenge, but I have some of the most amazing memories with my big brothers.
No matter what happens with EDM, I would like to go to New Orleans and just play with one of those small funk bands in an intimate venue. How cool would it be to work with a band with those huge horn lines and produce all of that great funk that makes you just want to party?
I took many trips down to New Orleans trying to experience the city as deeply as possible. I'm from Detroit so New Orleans seemed very exotic to me.
New Orleans is like my blood; it's not going anywhere. And then I just take different things that I've learned over the years and add them to what I'm doing with the natural New Orleans sound.
In New Orleans, bounce music was prevalent. That was all they wanted to hear. It was new and trendy, and it was hot, and it was taking off. Artists were coming out of everywhere. They did some great songs, some really catchy, fun songs. That was just the feel of New Orleans music.
The reason New Orleans is still around is because of the celebrations it has inspired since its inception as a city. I'm always excited about the possibility of what might happen. That's what drives us, and I think that's the spirit of New Orleans and the spirit of jazz.
Since I'm born here, my music will always have some New Orleans elements.
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