A Quote by Aaron Neville

In New Orleans, music is part of the culture. You're raised with it, from the cradle to the grave, and all in-between. — © Aaron Neville
In New Orleans, music is part of the culture. You're raised with it, from the cradle to the grave, and all in-between.
New Orleans will always be in my heart. New Orleans raised me - it's in my blood.
New Orleans, more than many places I know, actually tangibly lives its culture. It's not just a residual of life; it's a part of life. Music is at every major milestone of our life: birth, marriage, death. It's our culture.
It is a cultural tradition that makes New Orleans what it is. It also represents the roots of American music and an important part of the African-American community in New Orleans. It unites people in some of the poorer neighborhoods of the city. It is absolutely critical to continue.
It seemed [there are] musical nodes on the planet where cultures meet and mix, sometimes as a result of unfortunate circumstances, like slavery or something else, in places like New Orleans and Havana and Brazil. And those are places where the European culture and indigenous culture and African culture all met and lived together, and some new kind of culture and especially music came out of that.
I've always been in love with that Delta-flavored music... the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
I've always been in love with that Delta-flavored music the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
Each culture has some knowledge. That's why I studied with Saj Dev, an Indian flute player. That's why I studied Stockhausen's music. The pygmies' music of the rain forest is very rich music. So the knowledge is out there. And I also believe one should seek knowledge from the cradle to the grave. With that kind of inquisitiveness, one discovers things that were unknown before.
If I could put my finger on it, I'd bottle it and sell it. I came down here originally in 1972 with some drunken fraternity guys and had never seen anything like it - the climate, the smells. It's the cradle of music; it just flipped me. Someone suggested that there's an incomplete part of our chromosomes that gets repaired or found when we hit New Orleans. Some of us just belong here.
In New Orleans, bounce music was prevalent. That was all they wanted to hear. It was new and trendy, and it was hot, and it was taking off. Artists were coming out of everywhere. They did some great songs, some really catchy, fun songs. That was just the feel of New Orleans music.
Waste equals food, whether it's food for the earth, or for a closed industrial cycle. We manufacture products that go from cradle to grave. We want to manufacture them from cradle to cradle.
There's certain things in life that I love. One is architecture. And music, culture, food, people. New Orleans has all of that.
I'm always honored to see my music and New Orleans Bounce make its way into mainstream culture.
We all have a cradle-to-the-grave journey to make and, in between, what do you do? There's got to be something hereafter.
The left promises abortion rights and cradle to the grave protection, so the trick is to make it to the cradle.
Music and dance is part of everything in New Orleans. So I grew up appreciating it all.
It is evidently known, beyond contradiction, that New Orleans is the cradle of Jazz and I, myself, happened to be the creator in the year 1902.
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