A Quote by Aaron Neville

When I sang, I couldn't help making those little curves. People would say, 'Why don't you sing straight?' But I have always had to put something in. — © Aaron Neville
When I sang, I couldn't help making those little curves. People would say, 'Why don't you sing straight?' But I have always had to put something in.
I always knew I would sing. I just didn't know if I would be successful or not. But I sang at school, I sang at parties, I sang at church. Everyone always asked me to sing. I'd be playing football with my friends, and my parents would ask me to sing for their guests. I was never very happy about that because I wanted to play football.
I always knew I would sing. I just didn't know if I would be successful or not. But I sang at school, I sang at parties, I sang at church. Everyone always asked me to sing. I'd be playing football with my friends and my parents would ask me to sing for their guests. I was never very happy about that because I wanted to play football.
I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end. I sang 'I Say a Little Prayer.' It's a tough song to sing but they gave me the confidence to go for it and belt it out.
They would wake me up when I was sleeping, and say sing a song for our friends. I had a sweet voice, I had a nice little tenor voice. God knows what I sang, but my whole family would admire me.
Luther Vandross was a musician who sang. So after a while he was also the number one background singer in New York, so he would sing for Bette Midler, he sang on "Fame," he sang for David Bowie, he sang for - whoever needed backgrounds, he would arrange the parts and hook your record up. He also sang on commercials. McDonald's, Budweiser.
I always sang when I was little-bitty girl. I sang all the time. And then I'm from Knoxville, Tennessee, so I sang in a show at Pigeon Forge, Tennessee. You know, they have all those variety shows where Dollywood is. And I sang there and yodeled and clogged, but I never wrote my own songs.
Why can't we have those curves and arches that express feeling in design? What is wrong with them? Why has everything got to be vertical, straight, unbending, only at right angles - and functional?
In college, I would follow Bob Dylan around, and I would show up to a concert, and he would sing some song he hadn't sang in a long time, and it would speak to something, and I would think it had some great fateful implication.
In those years, when I came to the States, people were always asking me why I didn't sing anymore. I'd tell them, 'I sing all around the world-Asia, Africa, Europe-but if you don't sing in the US, then you haven't really made it.' That's why I'll always be grateful to Paul Simon. He allowed me to bring my music back to my friends in this country.
I always sang after every dinner or when we had people over or when we had a show in school. I just loved to be on stage and sing in front of people.
Sometimes my boyfriend would write the lyrics and I would write the melody, and other times I would start from scratch. Or sometimes I would take a local poem and put that to music...I always sang standards because the songs I wrote for myself weren't as easy to sing.
I've been making music for as long as I can remember. I would, as a kid, just sing little ideas or be making something.
I always sang when I was little and my father, who was a great influence on me, also had a wonderful voice. He and my mother really encouraged me to sing and play the piano. They were always very supportive.
It didn't make much difference what time of night it was, whenever [my father would] come in drunk, he'd say, "Get up and sing me some songs." We didn't want to sing but we sang.
Everyone's curves fall in a different place. But you can't put something of mine on and not see curves.
They both sang. My grandmother had a very haunted mountain voice and would sing hymns. My grandpa would sing but in a very, very subdued way.
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