A Quote by Aaron Neville
When I first went out on the road with Larry Williams, there was also, like, The Coasters, The Drifters, and The Flamingos.
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I am very indebted to southern writers and not just Flannery O'Connor. Also Harry Crews, Larry Brown, Tennessee Williams, Barry Hannah and William Gay.
When we took on the name The Drifters, we became the new Drifters, and signed a contract to be put on salary, which I think was like a hundred dollars a week, a piece, five hundred dollars for all five of us.
My first choice was to work it out with Larry Brown. I needed Larry and I gave him 50 million bucks. This is a situation that I'm in and I'll handle it and I'll make it work.
Of all the four major sports, whether you like Ted Williams, Carl Yastrzemski, maybe you like Bobby Orr, or you like Larry Bird or Tom Brady - Bill Russell is the greatest athlete to play in Boston.
Even at the end of the road, read the first sentence, there is a road. Even at the end of the road, a new road stretches out, endless and open, a road that may lead anywhere. To him who will find it, there is always a road.
One day in 1959, when Huddersfield were playing Cardiff City, Tom (T.V.) Williams, who was then chairman of Liverpool, and Harry Latham, a director, came down the slope at Leeds Road to see me.
Mr Williams said, 'How would you like to manage the best club in the country?'
'Why, is Matt Busby packing it up?' I asked.
I love horror films, but it's more than an adrenaline rush for me. I love them because I know they scare me. It's kind of like I go on roller coasters, but I'm terrified of roller coasters, sort of thing.
The first record I was really into was the Drifters' 'When My Little Girl Is Smiling.'
[Filming Payne] that was also the first time I worked with JoBeth Williams, which was also a case of not being the last time!
Serena Williams [ispires me]. The first time I met her, she was like, "We should hang out and go to dinner," and I'm like, "Uh, yeah! If you insist."
I felt so good when I fought Larry [Holmes]. When I fought Larry the first time, I mean, first time in my life, I mean, I could remember I wanted to fight.
The only reason I'm ever in character as 'Larry The Cable Guy' is because that's what I'm hired to do. In my movies, obviously they hired 'Larry The Cable Guy' to be 'Larry The Cable Guy.' When I do my shows, I'm 'Larry The Cable Guy.' When I do Jay Leno, it's: 'Please welcome 'Larry The Cable Guy.'
When I was a kid, man, my dad used to buy me the Ted Williams glove at Sears with the Ted Williams shoes with the eight stripes on 'em. I used to play Little League, and I was Ted Williams-ed out.
[Larry Kramer] got really mad at me once. The precipitating incident was a speech at Yale by the first President Bush's Secretary of Heath and Human Services, Louis Sullivan, against which Larry led a demonstration. He got the demonstrators to drown out Sullivan's speech, which wasn't allowed.
When I first saw 'House on Haunted Hill' as a kid in Baltimore, and the skeleton went out on the wire, and the thousand kids in the audience went crazy... My whole life, I've tried to at least equal that cinema anarchy. I came close with the end of 'Pink Flamingos,' but I didn't tie with it.
The first music I bought when I was nine or 10 was pop music from the '50s and '60s, like The Everly Bros., Elvis, Del Shannon, The Flamingos, The Platters, whatever I could get my hands on. And then some musical things, like Camelot, Singing in the Rain and Hair.
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