A Quote by Aaron Paul

I get random meetings, like, 'Ron Howard would like to sit down with you.' 'Really?' If 'Breaking Bad' hadn't happened, Ron Howard probably wouldn't want to sit down with me. Because he would have no idea who I was.
I would love to do different things, like behind-the-scenes work - just like Ron Howard!
I was always waiting for the secret to be handed down to me. Ron Howard asked me what I was waiting for and I went, "Ron, I'm waiting to know the secret. I keep feeling there's some sort of secret that's going to passed on from a director." He went, "Oh no. There is none. You've just got to on and do it and make mistakes and figure it out."
He is not like Ron Swanson at all because he's very emotional and vulnerable. He is all of the things that I guess Ron was really deep down. He's not a Libertarian, but he does like bacon and meat.
I would like to sit down with Oprah, just because I'd like to talk to her. I want to sit down and, like, converse. Like, 'Honey, let's chat!'
I used to get really jealous of Ron Howard as Opie on 'The Andy Griffith Show' - we were the same age. I would just think, 'God, that little kid can work, and I can't!'
When Ron Howard rings you up and says, 'I'd like you to do my film,' you do it.
I want to be a director - and you need to get out there and do it, you can't wait 'til it comes to you... I'd give anything to be able to do what Ron Howard's done.
If I was to direct Ron Howard, I guarantee you, I would put him through a living hell every day. I would demand so much of him. We wouldn't quit until he leaves the set crying. Weeping! Spent!
When I really have it together, I think I successfully pull off looking like the exact middle point between Macklemore and Ron Howard, only with a much bigger forehead than either of them.
I would sit at the table with the black kids during lunch, and we'd do our banter back and forth. But occasionally, I'd get up and I'd go sit down with the white kids and chat with them and what not. Of course, because I come from the black table they would look at me like, 'Why are you here?'
I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
I was really a charmer; I was the guy who would get to the office, the principal would sit me down and within 10 minutes, we'd be, like, talking about some movies or something.
There are all these awards that you've never heard of, and you get nominated, and suddenly you're at these awards shows, so you really don't care if you win. You really don't. You're going there, you're getting dressed up. And then you get to the awards show, and you sit down. You walk the red carpet. Everybody loves you. It's great. You sit down, and all of a sudden your category comes up, and you get nervous. And it's a complicated emotion, because it's not like you absolutely want to win, but then you don't want to lose.
My first love, in my head, believe it or not, was Ron Howard.
There are a lot of people who I look up to. I like what Ricky Gervais does, I also like Ron Howard. It's probably never going to happen, but if I had to pick a couple people, those are two.
I just wondered where you —” Ron broke off, shrugging. “Nothing. I’m going back to bed.” “Just thought you’d come nosing around, did you?” Harry shouted. He knew that Ron had no idea what he’d walked in on, knew he hadn’t done it on purpose, but he didn’t care — at this moment he hated everything about Ron, right down to the several inches of bare ankle showing beneath his pajama trousers.
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