A Quote by Aaron Paul

On a big film, there's almost no way you can meet everyone. On an indie, there are 30 people and no trailers to duck into. — © Aaron Paul
On a big film, there's almost no way you can meet everyone. On an indie, there are 30 people and no trailers to duck into.
When you go into a movie and you're surprised by it - these days with brand recognition being such an important thing and essentially trailers, the way trailers have evolved encouraging people not to see the film unless they've already seen the film which is kind of the paradox of marketing these days anytime that you enjoy genuine sense of wonder and surprise in the movies it's priceless.
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
It was a difficult but wonderful balance to go from big budget, big craziness, everyone's giant trailers, everyone's sushi lunches, to a $4 million movie.
I'm so happy and relieved for the indie spirited film world because ... I don't even know if it's indie, it's just alternative cinema that's just different than what the studios are doing and it's a big variety in that category. Everyone always is complaining about the film industry but I think it's important to acknowledge when it's actually a pretty good time when that comes back around. I'd be remiss not to say, "Hey, it's a pretty good era right now for these reasons," and maybe that doesn't last or maybe it does, but I will acknowledge it.
Almost everyone I meet is successful because of doing a lot of things right, and almost everyone I meet is successful in spite of some behavior that defies common sense.
I was spending a lot of time in trailers, you know, on film sets surrounded by film people.
Being an indie queen, people think I have all these choices. Like I've just been sitting around waiting for the best indie film that I deem acceptable.
Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.
There's something different about an indie film than a TV show that has a huge infrastructure that's in place already for you - at least financially and in terms of distribution. Whereas an indie film is just a total dare.
Sometimes I feel indie directors are in the game so they can make a film to get hired to do a big film - that we're all doing this person's reel.
I have been lucky enough to travel a lot, meet great people in many lands. I have liked almost everyone I met along the way.
Everyone is using the Internet for almost everything - trailers, ads, movies, and short films. This is the only thing that will reach everybody in the world.
I like actors who just become that person and then react, and Adam [Driver] is completely reactive in that way. So every day working with him was really a pleasure. And he's in almost every scene in the film, so the poor guy had to work the - almost the entire 30 days of our film shoot. But, yeah, he was really a pleasure, and I really love what he - how he embodied this character.
I always have looked at "indie" as a term of "independence." Never associated a sonic gesture with that in the same way that pop music has always meant "popular" to me it didn't define a sound. And I think now that has been the context for things. If something is indie, it almost has this sonic association with it, or pop has become this term of shame almost, like, bubblegum sweet pop.
Independent film is such a huge deal in the UK. There aren't many big budget studio movies that get greenlit at all. The indie film industy is a great opportunity that I'm trying to seize.
Take 30 seconds to encourage everyone you meet today. Everyone. Be genuine and transparent. And do it. Then do it tomorrow. Repeat.
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