A Quote by Aaron Paul

The first part of my career, how I was paying the bills was commercials. I was just doing tons of commercials. — © Aaron Paul
The first part of my career, how I was paying the bills was commercials. I was just doing tons of commercials.
I started doing non-surf stuff like commercials, short films, and music videos and just started expanding my filmmaking that way. I started doing that more for a career: you know, it was paying the bills, and it was challenging. I was stimulated by it.
I was making commercials. That's how I learned the craft. That was the marketing part of it: directing commercial for TV. It wasn't the most common thing to become a filmmaker in Greece. I started by saying I was interested in marketing and have a proper job in advertising and commercials. Basically, I studied film to learn how to do marketing, and commercials. As I studied film I learned I'd be interested in making films instead of commercials.
I got a part in a package of commercials for this big drugstore from the age of 6 to 10. For four years I shot those commercials, and old ladies would stop me on the street and grab my cheeks. That's how it started.
I loved doing commercials when I did commercials. I made a living. I worked in front of a camera. I could do plays for free.
It was always fun auditioning for commercials, because that was the beginning of my career, and me figuring out how I was going to portray myself as an actress vs. a model, because models were very different back then in the early '70s. They didn't usually hire models for acting. But I acted first in commercials and then I did modeling, so it was a little different.
Commercials certainly pay more than films. I was pleasantly surprised at the profitability of commercials when I did my first ad for a popular soap brand years ago. I was paid a huge amount of money for a mere 30 seconds of screen presence. After that, ads have been a regular feature in my career.
Even when I was really young, I hated doing commercials, because I would say, "That's not real acting." And it's not. It's embarrassing what they make little kids do in commercials.
When we moved to L.A., I started going out for more commercials, and then one day they emailed me a movie script. The first thing I said was, 'No way. I love commercials.'
When I moved to New York I started to do a lot of TV commercials. It just kind of naturally evolved from still photography to commercials.
I actually like doing commercials. I don't like doing them to the exclusion of everything else, but I like doing them. The 30-second format is very hard. I sometimes call it American Haiku. And I think some of the commercials I've done are not so bad.
I've been working my way to doing my first feature film for about ten years. So I went through the commercials route and some people come from a theatrical background and some people come from a writing background, but I directed commercials
A lot of the good cameraman who we used are doing television work; they're doing commercials for a lot of money. And the commercials look incredible. But what's it about? I made three major commercial campaigns. I enjoyed it, I experimented with it, and at the end of the day I felt no satisfaction. It was like having a fast food lunch.
The first step toward maintaining autonomy in any programmed environment is to be aware that there's programming going on. It's as simple as understanding the commercials are there to help sell things. And that TV shows are there to sell commercials, and so on.
I've been watching Maybelline commercials since I was little and singing along with the jingle and doing little Maybelline commercials in my bathroom when I was, like, 10.
I had done a few commercials here and there, but I was never super lucky in commercials.
Nobody watches commercials if you ask them. Nevertheless, they watch commercials.
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