A Quote by Aaron Paul

I knew that I tend to always gravitate to the indie side of things. — © Aaron Paul
I knew that I tend to always gravitate to the indie side of things.
I do tend to gravitate to the more dramatic side of things. I love feeling intense emotions when I'm acting. I just love characters and stories with conflict.
I tend to gravitate toward the "act two," or "act three," or "act four" stories - either things that are underreported, where we think we already know the common narrative, or things that are at the margins of an over-reported story, where we're all so focused in one direction that we're missing something crucial that's unfolding off to the side.
Former soldiers will almost always gravitate to the anti-war party. This happens for obvious reasons. The men who have been in battle tend not to romanticize it and tend not to take it flippantly.
We definitely tend to gravitate toward writing more on the darker side of life, but also incorporate the light at the end of the tunnel; you can see a positive in it.
I always tend to gravitate toward the idea of things being human: that this isolation I feel as an Asian American, even though it's real, other people have it too in their own way.
Actors usually tend to gravitate towards the evil things that stretch them.
Whenever people are faced with any sort of adversity... they tend to gravitate toward things that make them comfortable, and things that they feel are important.
I do sort of gravitate towards smaller, indie-type movies.
I always gravitate towards the independent side of things, just because those are the stories I always fall in love with, but you don't really get paid, and living in Los Angeles is expensive, and I have a mortgage to pay. So it's good to jump onto a studio film and then in all my other time do small passion projects.
When you tour as much as I do, you're always on the road, and you tend to gravitate toward cities where you're like, 'Every time I'm in that city, the shows are fun.'
Whether it's a photograph or a piece of clothing, a leather bag or a film, I tend to gravitate towards simple, beautifully made, quietly lovely things. They make me happy.
The most interesting indie titles always tend to come out of nowhere for me. That's part of the fun for me.
I believe in accepting whatever life offers with a laugh. So if things are dark and terrible, I try to find the funny side to it. Probably that's why I gravitate towards comedy.
I always have looked at "indie" as a term of "independence." Never associated a sonic gesture with that in the same way that pop music has always meant "popular" to me it didn't define a sound. And I think now that has been the context for things. If something is indie, it almost has this sonic association with it, or pop has become this term of shame almost, like, bubblegum sweet pop.
I seem to gravitate toward the dark side of things when it comes to directing. I love action, but I love the drama as well.
When we opened Babbo, we were an indie band. Now we're kinda Apple. We have 19 restaurants and 2,800 employees, we are no longer perceived as the indie band although we think of ourselves as the indie band, and we operate our restaurants as individual indie bands.
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