A Quote by Aaron Siskind
The only other things I got from the abstract expressionists is the absolute belief that this canvas is the complete total area of struggle, this is the arena, this is where the fight is taking place, the battle. Everybody believes that, but you have to really believe that and work that way.
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Those damned Abstract Expressionists. They were a major problem. Because the critics adored them to such an extent, reams and reams, pages and pages of articles about Abstract Expressionists, when we came along, we were just not taken seriously at all.
You can’t run away. The past will be only too happy to chase you —- in absolute, complete, and total earnest. Do you know why? Because they’re lonely. The past and memories are very lonely things. I don’t believe in God. Because he doesn’t have a fixed form. The past certainly does exist, even in a world where the future doesn’t have a fixed form. Even if it’s being colored by misunderstandings and delusions, a person’s past can’t be anything but the truth as long as he believes in it. If that’s what you base your actions or your way of life on, isn’t that like being god?
These days people believe they can go into art and make a living. We didn't have that. The abstract expressionists were older, by the time they even got a show. Now people come right out of school and sell.
This is the world. I don't really believe in hell or heaven or an after life at all, I believe this is it. It can be a paradise for you, if you've got the right mindset. Or it can be a total nightmare. The song is just about remembering these moments of, you know, these epiphanies or magical moments of clarity that I think everybody has at some point in their life, often, while they're taking acid or something like that, or while they're doing really intense yoga.
When you fight, you don't fight for abstract values like the flag, or the nation, or democracy. You fight for your buddy. You fight to keep him alive, and he fights to keep you alive, and you go on that way, day after day, battle after battle. And when one of your buddies dies, something inside you dies as well. But you go on. You fight, so that his death isn't meaningless, his sacrifice isn't for nothing.
The working classes in every country only learn to fight in the course of their struggles...Social democracy...is only the advance guard of the proletariat, a small piece of the total working masses; blood from their blood, and flesh from their flesh. Social democracy seeks and finds the ways, and particular slogans, of the workers' struggle only in the course of the development of this struggle, and gains directions for the way forward through this struggle alone.
As belief shrinks from the world, it is more necessary than ever that someone believe. Wild-eyed men in caves. Nuns in black. Monks who do not speak. We are left to believe. Fools, children. Those who have abandoned belief must still believe in us. They are sure they are right not to believe but they know belief must not fade completely. Hell is when no one believes.
There's not one way to direct a film, there are so many different ways to do it. Everything affects the way it turns out in the end. Even the smallest things. You don't want to really acknowledge that, because you want to believe that you are the only creative asset as a director. You want to believe you're the only one. But I really feel that everyone teams up and everybody really affects everything. Actually, it's the closest I will get to playing in a band.
I've come to believe that total nakedness, that is absolute transparency, that is utter and unfettered and profound visibility, is the only way that we can truly love. Anything less, is self-defense.
There are absolute atheists ... Absolute atheism is in no way a mere absence of belief in God. It is rather a refusal of God, a fight against God, a challenge to God.
A man's knowledge may be said to be mature, in other words, when it has reached the most complete state of perfection to which he, as an individual, is capable of bringing it, when an exact correspondence is established between the whole of his abstract ideas and the things he has actually perceived for himself. His will mean that each of his abstract ideas rests, directly or indirectly, upon a basis of observation, which alone endows it with any real value; and also that he is able to place every observation he makes under the right abstract idea which belongs to it.
But it seemed to me that the American way of doing things was to obliterate a complete area, without really knowing exactly what was there and where they were.
I was an art history major, but never specifically contemporary. I would say where I really stopped were the abstract expressionists in the New York school.
No one in al-Nahda believes that jihad is a way to impose Islam on the world. But we believe that jihad is self-control, is social and political struggle, and even military jihad is only a way to defend oneself in the case of aggression.
You got to fight for quality art and equality and all the things that we're fighting for, the things we believe in. Choice and preference and all those things that we support. We don't want to give up that fight. You got to keep doing it.
If you look on the history of art you observe how the most popular forms trample the rest. The abstract expressionists destroyed figurative work for more than 30 years.
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