A Quote by Aaron Siskind

Producing a photographic document involves preparation in excess. There is first the examination of the idea of the project. Then the visits to the scene, the casual conversations, and more formal interviews - talking, and listening, and looking, looking. ... And finally, the pictures themselves, each one planned, talked, taken and examined in terms of the whole.
There's a whole range of areas that we'll be looking at, so I'm not at this very early stage going to specify any particular areas. As you will know, there will be a limit to how far we can go in terms of a formal free trade agreement until we've actually left the European Union. I think there is much that we [with Donald Trump] can do in the interim in terms of looking at how we can remove some of the barriers to trade in a number of areas.
I remember Julianne Moore talking about acting and she said, "I'm just looking for truth. When people watch, they're not looking to see me. They're looking to see themselves." That's one of my new favorite sayings
In my work, we're not looking at an icon, we're not looking at a sign, we're not looking at a representation. We're looking at something. I do have this feeling of trust that people can read it for themselves.
Tech is not looking for inclusion per se, but they're looking for assimilation. They're looking for Blacks and Latinos and women, but they are looking for these groups as versions of themselves.
A photographic session is a joint, interpersonal exchange, a kind of creative encounter session at a high level of intensity. For me, photography is more a process of creating an experience than one of looking for pictures.
Imagine having an idea of putting good-looking girls in the ring, and they figure, first, let's make them good-looking, then let's see if they can wrestle.
There are so many people who have a training in art history; and if you've spent time looking at old art, you become attuned to what art does through materiality and so you begin to look to that in contemporary art as well. And anyway, I do think that matching one's experience with what you're looking at and questioning what you're looking inevitably involves materiality, just like it involves the sense of place.
I'm kind of looking for something with a lot less action and more talking and listening.
When I'm back at my computer, and/or have more time to deal with the project than when I made the initial notes, I transcribe them into a Scrivener document. I create a new Scrivener file for every project, right at the start, and make a folder for these transcribed notes; when entering them, I title each note document according to date.
Fashion pictures show people looking glamorous. Travel pictures show a place looking at its best, nothing to do with the reality. In the cookery pages, the food always looks amazing, right? Most of the pictures we consume are propaganda.
Find something that makes you happy, like looking at beautiful pictures, or, if you're able, listening to beautiful music, or sitting by the window and looking outside - small things like that can be absolutely huge.
I'm doing philosophy like an old woman, first I'm looking for my pencil, then I'm looking for my glasses, then I'm looking for my pencil again.
You're just looking for the thing that makes this scene sort of imperative, why you have to know what changes by the end of the scene so you're really looking to find the essence of it.
Living each day as a preparation for the next is an exciting way to live. Looking forward to something is much more fun than looking back at somethingand much more constructive. If we can prepare ourselves so that we never have to think, 'Oh, if I had only known, if I had only been ready,' our lives can really be the great adventure we so passionately want them to be.
I never thought about the gayness. Liberace just looked like he was having so much fun. And that whole idea of talking directly to the audience, you just went along with him. He made you happy. And he's finally getting acknowledged for all the Elton John, Lady Gaga, Madonna theatrics now that people are looking at his old costumes.
When I first started VMware, I was very shy and self-conscious about speaking. I grew out of this by giving talks each week in front of the whole company; gradually, as we scaled, I had talked to more and more people, and this is how I conquered my fear of talking to people.
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