A Quote by Aaron Sorkin
My parents took me to see plays, starting from when I was very little. Oftentimes, I was too young to understand. I don't know what my parents were thinking - 'Who's Afraid of Virginia Woolf' when I was eight years old, that kind of thing. So lots of times, I didn't understand what was going on, but I just loved the sound of dialogue.
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I got into dialogue because my parents began taking me to see plays from when I was very young. Too young, often, to understand the play I was watching: Who's Afraid Of Virginia Woolf when I was nine years old; That Championship Season when I was ten years old. But I loved the sound of dialogue; it sounded like music to me and I wanted to imitate that sound.
One can tell a child everything, anything. I have often been struck by the fact that parents know their children so little. They should not conceal so much from them. How well even little children understand that their parents conceal things from them, because they consider them too young to understand! Children are capable of giving advice in the most important matters.
Parents don't understand kids and kids don't understand parents. My parents were divorced when I was really young and I went to live with my dad.
Think about reading: Today, parents would love it if their kids read books more because the parents understand the books. Just over 100 years ago, parents were upset because their kids were reading dime-store novels. Parents would say, "I don't want you inside reading anymore. Get outside and play." I guarantee you, in 50 years or so, parents are going to say, "You're not going outside to play until you finish that video game."
One thing that was very clear to me is that the young people in a place like Annawadi aren't tripping on caste the way their parents are. They know their parents have these old views.
I don't understand the whole Christian conservativism doesn't make sense to me because I was raised very Christian and its kind of an odd thing but my parents, my family is also very conservative in their own way but I understand the bible and I studied Christianity very well and I don't see where the hatred of gays comes from because it really defeats Christ's purpose.
In terms of my peer group, nobody's parents were dying of old age. There was no dialogue to have among friends. I had that experience, and then 10 years later, I started thinking about writing about it. It's obviously an indelible thing when that happens, and I wasn't looking for material at the time or anything; it just started becoming relevant to me.
My parents took me to shows starting when I was a very little kid. I remember seeing Henry IV at the Shakespeare Theatre in DC and our neighbor, who was playing Banquo, winked at me during the curtain call. I remember thinking "he can SEE ME?!" I was hooked from then. I wanted to be part of the place where you can escape the world, and also wink at it.
I remember my parents yelling at each other and at me from an early age, and I remember a lot of things smashing. I try to look for the happy memories from the brief time my parents were married, and I can't really recall that. From the start things were messed up, and I just kept moving through the years and trying to pick out the little bits of evidence that would help me prove to myself that it wasn't my doing. But it took finding out somebody really does love me, who's not my parents or a relative, to really know that I was loveable.
I just went to your typical public schools, and my dad would take us to the movies every week, or he'd buy scalped tickets to San Antonio Spurs games. I remember I was four or five years old and my parents, who were very young, took us to see The Police in Austin, and Iggy Pop opened.
I think my dad has a similar black sense of humour to mine, so perhaps it's just an inherited thing. I've got two little boys now, and I can see it with them as well. I don't know if you learn it off your parents - but my dad used to take me to see certain plays when I was quite young, so maybe that had an effect as well.
When you think about Broadway, you think broad and big, but the fact is there are so many plays that are very intimate, but fill a 1,500-seat house. Plays like 'Who's Afraid of Virginia Woolf?' have deep moments of silence and intimacy to them.
I want to be viewed like a serious actress, and I'm afraid that people are just going to see me as the poor little girl whose parents were deported when she was 14.
All I care is that my family, and my loved ones, understand me. Or that they understand me to a degree - I don't understand me very much. And I don't need the world to understand me. That is the most egocentric thing.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
I had in mind a case close to my family, friends of my parents, who seemed to be the perfect bourgeois family, and a young boy, who when he was 17, committed suicide. It was such a shock. The parents didn't understand. Nobody understood why he did that. Everybody was exploring his life, trying to understand what the problem was. Everybody had a feeling that this guy had the perfect life: he was beautiful, he was clever... but he did that. I had that in mind, about Isabelle in Young and Beautiful, for the parents to see adolescents like aliens.
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