A Quote by Aaron Sorkin
If you lined up 10 writers and asked them to write a movie about Steve Jobs, you'd get 10 very different movies.
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'Steve Jobs' is my seventh movie. I believe, if you added them up, I don't think there is more than a total of 10 minutes that takes place in a person's home. They're all in offices, courtrooms, laboratories, things like that.
The constant is always mythologies and the very first stories that we have. All of the movies that last, that you return to, the movies that struck you as a kid and continue to open up to you 10 years later and 10 years after that - those are the movies I want to make. Those things are eternal.
I didn't like the tone of Steve Jobs [movie] [2015] at all. It was very ugly, kind of rude. I didn't laugh, it was very uncomfortable. It seemed like all the worst moments of his life. It was very critical of Steve Jobs as a person, and it didn't make for a comfortable viewing experience for me. But I guess I don't know who Steve Jobs is, and I guess I didn't know what I was gonna go see. I thought it was gonna be celebrating the rise of Apple, but it wasn't that at all.
Well, there’s 10 - there’s 10 different - there’s 10 different titles, you know, to the Civil Rights Act, and nine out of 10 deal with public institutions. And I’m absolutely in favor of one deals with private institutions, and had I been around, I would have tried to modify that.
No matter what it is, if you get 10 people in the business talking about something, you get 10 different opinions, but you know, they're amazingly well informed.
The amazing thing about IBM is that it's a company where I have had 10 different careers - local jobs, global jobs, technology jobs, industry jobs, financial services, insurance, start-ups, big scale. The network of talent around you is phenomenal.
There is a Steve [Jobs] that Apple would like to actually present to the public. They have a character, Steve, and they want to keep that story going. And it's very important that writers challenge that occasionally and not just trust their parent companies to tell them.
All of the movies that last, that you return to, the movies that struck you as a kid and continue to open up to you 10 years later and 10 years after that - those are the movies I want to make. Those things are eternal.
Christian audience, I think, have grown very tired of movies that try to pander to them. For instance if someone goes, "Ok, we're designing what we're going to do with this movie. It's a Christian movie and they'll eat it up." And you know what? Consumers are smarter than that. They go, "The movie isn't that great and he thought that I would just be a sucker and plop my $10 down for it?" Because you're looking down at the audience. You can't pander to an audience.
The great thing about an anthology is that each year is its own 10-hour movie, and the only requirement is that it's the best 10-hour movie that I can make out of the story.
I mean, if you lined up 100 writers, you'd get 100 different ways in which they write. There's no right way or wrong way to do it; it's whatever your process is.
'Marley Dias Gets It Done - And So Can You' is a book about how girls who are 10 and up - and everyone who is 10 and up, basically - can use their gifts and talents to help the world in a way that's unique to them.
It takes a long time to write 10 good songs. Sometimes you have to write 30 to get 10 good ones.
Imagine if Steve Jobs or Thomas Edison or Albert Einstein were all alive 10, 20, 30 years before we know them to be alive; it would have advanced the world that much sooner.
This election isn't about Barack Obama or Mitt Romney. It's about you. The other guys write $10 million checks and make $10,000 bets. But we've bet this campaign on you.
All evidence indicates that the neuron does not reset. The synapses do not reset. They are always different. They're changing every millisecond. Your brain today is very, very different from what it was when you were 10 years old, and yet you may have profound memories from when you were 10.
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