A Quote by Aaron Sorkin

I have a lot of respect for people who are great at ad-libbing, and for writers and directors who are able to create a scene in which that works. — © Aaron Sorkin
I have a lot of respect for people who are great at ad-libbing, and for writers and directors who are able to create a scene in which that works.
I have a lot of respect for people who are great at ad-libbing and for writers and directors who are able to create a scene in which that works. Judd Apatow is fantastic at it. But as an audience member, I like the sound of something that's been written - I like it to sound written.
"Stuffed and Unstrung" started as a workshop, actually, classes within our company. We found that our puppeteers were not ad libbing as well as traditionally, Jim Henson Company puppeteers have. We're sort of famous for going off script a little bit and ad libbing.
I did the 'Bionic Woman,' which of course had a lot of humor in it, and that was really a function of a lot of the ad-libbing and the things that I did in it.
Frankly, as much as I love to improvise, it hasn't been difficult to stick to the script on 'Mad Men.' The writing is so precise, and the story so carefully crafted, that I don't think there's room - or need - for ad libbing. I could never come up with dialogue as lovely as these writers do, anyway.
We'd dub the one that came off best into the final transcription. It gave us a chance to ad lib as much as we wanted, knowing that excess ad libbing could be sliced from the final product.
I need to keep my ad-libbing skills honed and make sure I'm able to banter with people and treat topics a bit more light-heartedly. But as a stand-up, first and foremost, my job is to make sure that I can write the routine that hopefully people will talk about when something big happens.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
I think that some of the writing, directing, and the content is better than a lot of movies sometimes. Actors, well artists in general - actors, writers, directors - what we all care about the most is good work and being able to create something that is really resonant and meaningful.
In the 'Mass Effect' universe, there is zero ad libbing.
I am terrible at memorizing things. Hence, ad-libbing.
Searching out directors you respect and that you can learn from that's always the dream. That's the goal. That's hopefully where this whole thing is leading, and what better way to learn about directing and learn about what works and what I like and what resonates me than by working with a bunch of great directors.
The greatest thing about having done 'Orange' are the doors that have opened for me, and people have been able to see me, like the executives and the casting directors - also, all of the fantastic directors and writers for independent films.
I'd never really done comedy before Community, so getting to work day in and day out with all these great people, directors, writers, and actors, I feel like I've learned a lot.
I'd never really done comedy before 'Community,' so getting to work day in and day out with all these great people, directors, writers, and actors, I feel like I've learned a lot.
I have spoken all over the world and I have great respect for Muslims, I have great respect for the African people, I have respect for the other races. Even back home in Lousiana, I'm called a racist, but I have respect for the Black people of my country and I want them to have their own life, too, and I want them to be able to pursue their own destiny and not be controlled, and not be damaged.
I don't think there's anything Craig Ferguson could say that would make me laugh. Ad-libbing is not the same as entertainment.
This site uses cookies to ensure you get the best experience. More info...
Got it!