A Quote by Aaron Sorkin

Rule of storytelling: When a character is shoved against a wall, shove them against a wall harder. — © Aaron Sorkin
Rule of storytelling: When a character is shoved against a wall, shove them against a wall harder.
I never have [suffered writer’s block], although I’ve had books that didn’t work out. I had to stop writing them. I just abandoned them. It was depressing, but it wasn’t the end of the world. When it really isn’t working, and you’ve been bashing yourself against the wall, it’s kind of a relief. I mean, sometimes you bash yourself against the wall and you get through it. But sometimes the wall is just a wall. There’s nothing to be done but go somewhere else.
Why would twenty-six-year-old "teenagers" care about political ramifications if their backs are not up against the wall? But if their backs are against the wall they may be plucked to fight in Iraq, and all of sudden they become politicized real quick.
We stand against fate, as children stand up against the wall in their father's house, and notch their height from year to year. But when the boy grows to a man, and is master of the house, he pulls down that wall and builds it new and bigger.
I spent hours from 11 until 16 with Tottenham in the gym playing the ball against the wall. We played against the wall for an hour before we would have a match. Left foot. Right foot. In the square. In the circle. Above the line, below it. Chest control. Thigh control. Volley sideways.
When you are up against a wall, put down roots like a tree, until clarity comes from deeper sources to see over that wall and grow.
The more serious the situation, the funnier the comedy can be. The greatest comedy plays against the greatest tragedy. Comedy is a red rubber ball and if you throw it against a soft, funny wall, it will not come back. But if you throw it against the hard wall of ultimate reality, it will bounce back and be very lively. Very, very few people understand this.
I like having my back pressed against a wall and being made to work harder so I don't embarrass myself.
"Stand up against the wall!" That's what everybody gets offered, especially women. When women started appearing on TV again in something other than the girl or the mother role it was all, "Get up against the wall," or, "The skin underneath her fingernail would tell me that she," you know, forensic stuff. Oh, God gross. Now, they're hunting terrorists.
If there's anyone who's against Wall Street, it's Donald Trump, not Hillary Clinton, who basically lives off of the funding from Wall Street.
I can understand the Chinese Wall: it was built as a defense against marauders. But a wall such as that in Berlin, built to prevent people from seeking freedom, is almost beyond comprehension.
Tea Party people know that I stood against the Wall Street scam from Day One, that I voted against TARP, that I voted against repealing Glass-Steagall Act that kept these guys under some control.
We have to start processing what we're really made of in America. American character is not dead. American integrity and honesty are not dead. When we're backed up against the wall against the largest corporations in the history of corporations, it's there.
A man's character is not judged after he celebrates a victory, but by what he does when his back is against the wall.
Perseverance is the most overrated of traits, if it is unaccompanied by talent; beating your head against a wall is more likely to produce a concussion in the head than a hole in the wall.
We may be up against a stone wall, but we don't have to bloody our heads against it unless we choose to.
For a moment there I convinced myself I had my back against a wall, and suddenly the only wall I find my back against is that of a 10 by 10 writing shack in Glendale, where the summer days average between 90 and 100 and each song can be quantified in the sweat it took to write it. There is no ac in hell, and sometimes you've got to get down to get up. The train is gaining speed I should think.
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