A Quote by Aaron Sorkin
You can only write, 'Somebody wants something, something else is in their way of getting it.'
Related Quotes
There is something about me that is collaborative, that wants to get the best performance out of somebody else or to hear something that somebody else has done that's good and to try and make it great.
The only way of making money is for effort. The only time I've ever lost money is when I've purposely said, "I'm doing this to make money." And I've actually on three occasions lost significant sums. I have made wealth when I've actually made a contribution to something, when I've done something I thought I could do better than somebody else or have done something better than somebody else does it.
I love making music, but if you make something that inspires somebody else to make something, without getting too airy-fairy, you've contributed to the zeitgeist in some way, and that's just an amazing feeling.
When somebody does something which everybody really wants to do, then it makes everyone else try a little bit harder and strive for something better, and it's good.
When I write a song with somebody else in mind, it's putting the cart before the horse. The way I write best is when I allow the song to tell me what it wants to be.
What I would say to anyone who wants to be a model is, have something else. This shouldn't be your be-all and end-all in life: there are so many other amazing things to be done in the world. I also think that the industry really celebrates a woman who does something else. So keep at it, but always have something else.
The best way to teach somebody something is to have them think they're learning something else.
I'm always telling my students go to law school or become a doctor, do something, and then write. First of all you should have something to write about, and you only have something to write about if you do something.
I learned early on that I'd rather not be taught something somebody else's way, I'd rather do it the most organic way I know. So, whatever I end up with, it's something I did myself. That's just the way I do it.
I can write the stuff and play it myself and have something in my head, but the best feeling is when somebody else plays it and they're hearing something other than what I'm hearing.
I don't write songs that don't affect me on some level, because I figure if I am not moved by it, if its not something that I have a longing to celebrate or to be reminded of, if it doesn't affect me, then how can I possibly think it is going to affect somebody else. My touchstone is write something that matters.
I always pull from something I know really well. Because I would never want to write about something that I hadn't experienced or that I hadn't witnessed happen to somebody else because it wouldn't be genuine.
I write in spurts. I write when I have to because the pressure builds up and I feel enough confidence that something has matured in my head and I can write it down. But once something is really under way, I don't want to do anything else. I don't go out, much of the time I forget to eat, I sleep very little. It's a very undisciplined way of working and makes me not very prolific. But I'm too interested in many other things.
I find I can write for two lines, and then I have nothing else to say. For me, the only way to find something comes through the sentence level and sticking with the sentences that give a subtle feeling that there's something more to say.
Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.
Whenever I sat down to write something it was never anything I took lightly. It was something that I'd want you, somebody in Japan, and somebody [over there to hear it].
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