A Quote by Aaron Sorkin

I think that if I couldn't write, I would be unemployable. — © Aaron Sorkin
I think that if I couldn't write, I would be unemployable.

Quote Topics

I was an only child who was never really good at anything else. I had no other option. I could write; I wanted to write; I wrote. Otherwise, I was unemployable.
I no longer say I'm unemployed. I say I'm unemployable. It's different. An unemployed suggests at a certain point in the future, you might be employed. That's not the case with me. I'm unemployable, and unfortunately, that's one of the bits of the web, in particular of Google.
For a film to be viable, it has to survive this process of scrutiny. I think most filmmakers have obsessive-compulsive tendencies and would be completely unemployable in any other job - so it's great to be able to channel your psychological anomalies into something productive and creative.
I think a lot of the people who write about me think that if they had to write fewer interviews then they would transcribe their life-story and it would be a big success. Or should be.
The verb "Garland" should be created. It would mean to unfairly put a stinking albatross around someone's neck, to make him unemployable.
The more I think about our species the more I think we just do stuff and make up explanations later when asked. But it's not true that I would rather write than read. I would rather read than write. To be honest I would rather hang upside down in a bucket than write.
I think sometimes I write to impress my influences. Whether they're actually acquaintances of mine, people that I think will hear the record or not, I still write - not to imitate my influences - but to write something that would live up to their standards.
It's a very romantic sentiment, but to think that you would die if you didn't write, well, I would definitely choose to not write and live
It's a very romantic sentiment, but to think that you would die if you didn't write, well, I would definitely choose to not write and live.
But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there.
A lot of people who don't write for kids think it's easy, because they think kids aren't as smart as they are, or that you have to dumb down what you would normally write for kids. But I think you have to work harder when you write for kids, to make sure every word is right, that it's there for the right reason.
I would get up at 3 in the morning and write. Or sometimes I would write at midnight. Or I would write when my child napped. It wasn't a burden. I was so enthused about what I was doing at the time that I really didn't mind.
I think when we were starting out, it was more about imitating our songwriting heroes. We would try to write songs like Neil Finn, or we would try to write songs like Ray Davies, or we would try to write songs like Glenn Tilbrook.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
I remember when I would write a song as a kid, I would also write out on paper what the drums would do, what the bass would do, and what the vocals would be doing.
I would say if you want to write, write what you care about. I think that's the most important thing. I think if you write what you care about, you stand a better chance of having the reader care about your story.
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