A Quote by Aaron Sorkin
It's certainly easy for me to make a fictional character mad about something. I can get them angry about something that I'm relatively indifferent about, just because I'm not educated on it, if I go to someone who is educated about it and is passionate about it. I find a point of fiction and then give it to them.
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You'll also hear about the widening gap in the educated and the uneducated. The liberals will all say, "We must do something about it" and some in our population swoon, "Oh, yes, it's so unfair, and so unfortunate, and we've gotta do something about the inequality." So the Democrats then have their reason to do something about it, and the way they go about it is not trying to make people equal at all. The way they go about it is not even rooted in changing inequality, at the end of the day. The way they go about it is destructive for everybody.
The historian ought to be an educated person, writing for other educated people about something which they don't know about, but wish to know about in a way that they can understand.
It is always tedious when someone tells you that if you don't stop crying, they will give you something to cry about, because if you are crying then you already have something to cry about, and so there is no reason for them to give you anything additional to cry about, thank you very much.
On a spectrum of literary productions, memoir is just another form. If the person doing the reviewing or critiquing was ill-educated about literary forms, they could write something dunderheaded about the author or their life (I've seen these and barfed at them), but anyone who is well-practiced and educated in literature - why would they leave that at the door when entering memoir?
I'd rather be around a passionate nerd than a non-passionate cool person. Because if you lack passion, your soul is diminishing by the second. You have to be passionate about something. Call it obsessed or whatever you want, but be obsessed about something. Obsessed people care. I'm passionate about so many things, it becomes an issue at certain points, but at least you have the ability to feel that much about something.
Acting is fun and I refuse to get involved in the semantics and the politics of strategy and breaking out of something or doing something because you need to do something else. For me it's all about what fuels my soul and if I'm passionate about a screenplay then that's what I'll do next.
It's always been important to me to be very upfront with people about the fact that I do identify as a feminist because it's an opportunity to expose people to and educated them about the movement. Young women don't identify as feminist is because they don't know any feminists and don't have a comprehensive understanding of what it is, I gave them example and an opportunity to ask about it. And once they saw that I wasn't the embodiment of the negative feminist stereotype - that I was a normal teen girl just like them - I think they became more open to learning about what feminism really is.
Figure out what you're passionate about. If you're not passionate about something, go find it. Because we do not need more unengaged boring people to inhabit this planet.
I like all the families in the U.K. But what I like about the idea of the royal family is... they seem like they're well educated and there's something admirable about them. And the Queen... she reminds me of my grandma.
Nothing is more debilitating than to care about something you can't do anything about. And you can't do anything about your adult children. You can want better for them, and maybe even begin to provide something for them, but in the long run, you cannot do anything about someone else's vibration other than hold them in the best light you can, mentally, and then project that to them. And sometimes, distance makes that much more possible than being up close to them.
My advice to everyone is find something that you love to do and you are passionate about. Because if you're not passionate about something, it's very difficult to be dedicated to it.
I care about doing the work as best as I can do, and that it should go on reaching people. It's not about fame and it's not about me. It's about creating something that might allow someone else to create something.
Comedy and drama are different sides of the same coin. And the thing about comedy and drama is about likability. It's about character first. It's about story. And for me, it's about empathy, and I think the realer someone is, the further you can go either way with them.
I can't stay mad very long. I get grumpy when I read a bad review. I say, 'How could he say that about my music?' Then I forget about it. If I got mad every time somebody wrote something negative about me, I'd be exploding all the time. I'd be burned out just from reading reviews.
The fact is when I get pissed off about something or something awful has happened, I just say, 'You know what? Thank you very much. Thank you for the lyrics. Because that is exactly what you just gave me.' There's no real negative then. So if something happens, I don't cry about it. I just find myself a pen and I figure it out.
I always will tell someone, 'If you're upset about something and you don't really want to talk about it or you don't know what to do, just get up and go do something to make yourself feel better.'
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