A Quote by Aaron Stanford

It's nice to know when you're a part of a story, it's nice to know at least something about the beginning, middle, and end. — © Aaron Stanford
It's nice to know when you're a part of a story, it's nice to know at least something about the beginning, middle, and end.
I used my daughter's crayons for each main character. One end of the wallpaper was the beginning of the story, and the other end was the end, and then there was all that middle part, which was the middle.
In the end it all comes down to talent. You can talk all you want about intangibles, I just don't know what that means. Talent makes winners, not intangibles. Can nice guys win? Sure, nice guys can win - if they're nice guys with a lot of talent. Nice guys with a little talent finish fourth, and nice guys with no talent finish last.
That's the same thing that is making me like George W. Bush. "He was nice. I know he was nice. He didn't know what he was doing but he was nice."
Man no longer lives in the beginning--he has lost the beginning. Now he finds he is in the middle, knowing neither the end nor the beginning, and yet knowing that he is in the middle, coming from the beginning and going towards the end. He sees that his life is determined by these two facets, of which he knows only that he does not know them
I was in the middle of a crossroads, which is a nice way of saying crisis, physically, emotionally and spiritually. You know the physical part. We just talked about it.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
There are two sides to me. One is the writer. That's a savage person who looks at everything as a story and, you know, wants to use real life in his books. The other part is the Midwesterner, who, you know, wants to say nice things about people and be polite.
A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
It is important to be nice. But sometimes niceness can be misconstrued as weak. Should we be nice to everybody? Should we be nice only when others are nice to us? Here are some interesting views about being nice. Read these nice quotes and turn on your niceness.
As a military brat, it is always an honor when I meet someone from the Armed Services. It is always nice to hear that often Aliens is played for them before going on a mission. It's nice to know that I was a small part of something that is so important to the people that serve our country.
I don't like plots. I don't know what a plot means. I can't stand the idea of anything that starts in the beginning - you know, 'beginning, middle and end.'
When I started the 'Broken Empire' trilogy, I thought it was a short story, and I didn't know the beginning, middle, or end of even that.
It's fantastic to strive towards a nice life where you eat nice organic food and your children go to a nice school and you can afford nice clothes and nice perfume and the hypoallergenic make-up. But there's never a day goes by, and I mean this from the bottom of my heart, that I don't think about where I'm from.
You never know what's going to happen. It's kind of nice to limit your expectations so when something clicks, you go, 'Hey, that's nice. Thank you.'
The thing I love about this story [The Killing] and this type of storytelling is that I don't have to know the end before I know the beginning.
'Top Of The Lake' is a great story with a beginning, and a middle and an end, about darkness - it's like the heart of darkness. And everybody has got one. When I was reading it, I couldn't put it down, and I wanted to know what was going to happen next.
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