A Quote by Aaron Stanford
I've been recognized very seldom. I think I just look different in person than I do as the character.
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I think the best models are actors, you're taking on a character. In that sense, I have been acting for a long time. It didn't seem like a crazy transition. Acting is a bigger step into modelling in a way. Modelling is easier when you don't look like yourself. When you look like a different person, you feel different. Acting goes deeper into that, you have to move and talk like that character. I love it.
I have traveled to a lot of places, and you look at another young person who lives under very different circumstances than you but has the same dreams or the same interests or might be better at what I do than what I do. But I was born in a different place, and she was born in a different place. Just for that alone, you're kind of inherently given opportunity. That's something that I'm very grateful for, but I'm also very aware of.
I've got a funny old face. Someone described it once, and I think they were being kind, as character. But I know what they mean! I've never been that conventional. I suppose maybe it means that my face can look different in different lights, so I just try and sort of keep it simple when I'm going out, to still look like me.
I've been in a lot of different factions my whole career, and all the guys who made up those factions are different performers. For example, if you look at the Undisputed Era as a whole, I'm very different than Roderick Strong, who's very different from Kyle O'Reilly, who's very different from Bobby Fish.
People don't really recognize me often. I think I just look different in person or something. I'm also not very approachable, and maybe they're just like 'Ooohhh, she's scary!'
I think it would be self-indulgent to go, "Oh, I'm going to make this character different by giving him a quirk of some kind." I don't think that serves the story, particularly. But even very similar scenes with a different set of actors, a different set of circumstances, it starts to evolve as a different character.
Women have been doing very, very strange things for centuries. I mean ancient Egyptians were already doing that, but I don't necessarily judge people who do. I don't really think it makes people look better; they just look different.
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
My character is very organic and an authentic representation of who I am as a person at the time. As a 28-year-old, I'm different as a man than I was as an 18-year-old. As you grow as a human being, the character evolves.
I very seldom, very seldom, even know what my characters look like.
That's what I love doing - understanding another person's perspective that's really different from mine. To me, it's like an emotional puzzle, trying to figure out the humanity of a character who is very different from myself and why they think the way they do.
I do think that you can dress yourself out of a problem. The way that a haircut and a new pair of pants can make you feel is better than any therapist, because when you look in the mirror, you see a different person - you are a different person. It's superficial change that can lead to real change.
I look at someone's face and I see the work before I see the person. I personally don't think people look better when they do it; they just look different.
And it's been a process of digging through the songs and trying to make them born on stage again. I think they are very different. I think they come off very differently. I think they come off, I don't know if it's masculine or outward, extroverted than introverted. I didn't know. It's just been a process.
I love musicals but it's very, very different. It's really just a different form than serious drama, and has very different rules and a completely different set of characters and requirements and ambitions. It maybe shouldn't be as separate as it is, but it's got a different history. In terms of serious drama, I think you'd have to say that you could break it down essentially into the narrative realist tradition and experimental theater.
I'm drawn to real-life characters. A lot of the characters I play, I've had in me since second grade. I've been dragging them around my entire life, and then sometimes I marry them with different people. But seldom have I really come up with a new character. In my head it's like, "I'll pull that person out that I've been doing since sixth grade and see where they're at right now.".
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