A Quote by Aaron Stanford

I try to pick characters that I find interesting and complex and that I feel I can bring something of myself to. — © Aaron Stanford
I try to pick characters that I find interesting and complex and that I feel I can bring something of myself to.
I want to try not to repeat myself. But then I seem to do it continuously in my films. It's not something I make any effort to do. I just want to make films that are personal, but interesting to an audience. I feel I get criticized for style over substance, and for details that get in the way of the characters. But every decision I make is how to bring those characters forward.
I like to play non-cardboard characters. I try and bring out the many complex layers in the personality of the characters I play.
I like to play complex characters and the duality, and trying to reach for the light, it's more interesting really. I've gotten to play so many types of guys and I just try to find the humanity in each one of them the best I can.
There's a remarkable amount of sexism on TV. When male characters are flawed, they're interesting, deep and complex. But when female characters are flawed, they're just a mess. It's good to put more flawed but interesting female characters out there because it promotes equality.
I think you can always find interesting, complex and fascinating characters to play in different kinds of movies. It's in your hands.
Now, the topic of religion seems much more complex, and I have a more complex relationship with it myself because I love religious music. I often find myself wanting to be in a religious state of mind even though I don't intellectually believe it. I want to go to that place emotionally. So it doesn't feel like something that I really want to debunk in that way. It's just not where my interests lie at the moment.
Sometimes people are like, 'Do you want to play strong women?' I don't have to play strong women in order to feel like a strong woman myself, but I do feel it's important to play characters that are complex and interesting and believable.
You can make an interesting character in a small portion of a movie, for a character that doesn't have that much on the page, if you just find the contradictions. That's something that I try to bring to my performances.
Mainly, I try not to think about my readers as I write - I just think of my characters and myself - If they're interesting to me, my hope is that they'll be interesting to others as well.
For me, it is important to pick up characters which I can relate to. Or I recall an incident in my life or tap into my innermost emotions and try to bring that reality on to the screen.
There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer form.
I'm really lucky in the sense that I have the privilege of being able to pick and choose what I do and only pick projects I really love and feel I can bring something to and I can learn from.
When I do my job, I dive into these characters and try to flush something out of myself into these characters, and hopefully that translates well.
What I find really interesting is to try and mix it up, to push myself and try different things. I don't want to stay in my comfort zone. I want to take risks and keep myself scared.
With all of the characters I've played, I feel like I've tried to communicate through my eyes and face, as much or more than with words. That's something that I like to watch in films, and something that I like to bring to the characters that I play.
I do try to do high-impact work, and I try to think of ideas people haven't thought about that have broad implications, but I don't restrict myself to that. I try to work on things that I find interesting.
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