A Quote by Aaron Stanford
Wes Craven is obviously a horror film icon so I was definitely very interested in bringing something back to life that Wes had created.
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I got very lucky to work with Wes Craven, very early on in my career, and continued to work with Wes for almost 19 years. I learned so much from him, and about his sense of story and his sense of horror, and that was great to be a part of.
A lot of my friends are people who do horror films: Wes Craven, John Carpenter, Stephen King.
Wes Craven is a wonderful friend, and we had a really good time together.
I had the time of my life playing Rose in Wes Craven's 'The Girl in the Photographs.' I became so close with the cast and crew, it was hard to leave after we wrapped.
I think if anybody had a roll of dice with a lot of money at stake, they would not want Wes Craven and a romantic comedy.
Among the guitarists, Wes Montgomery is fantastic. He's always good to let you know what the art form is all about. It's the same still life that everybody is painting, but in comes Wes Montgomery, and it's right there!
Wes Craven was the guy who gave me my start, from my perspective, for almost no reason in particular.
It's great to be thought of as the master of anything. Even idiocy. Master of idiocy, Wes Craven. But if it's master of horror or fear or whatever, that's great.
It was seventh grade or something like that when we started falling in love with stuff like Sam Raimi and Wes Craven and John Carpenter. Also, our filmmaking skills were getting a little more polished, so we thought we could actually make something that was not funny.
I always wanted to play a monster, and I also wanted to work with Wes Craven.
My roommate in college in Austin, Texas, was Wes Anderson. Wes always wanted to be a director. I was an English major in college, and he got us to work on a screenplay together. And then, in working on the screenplay, he wanted my brother, Luke, and me to act in this thing. We did a short film that was kind of a first act of what became Bottle Rocket.
Wes wants to be with Macy. And Macy, whether she'll admit it or not, wants to be with Wes. And yet they're not together, which is not only unjust, but when you think about it, tragical!
Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
I love movies where you can tell who's directed it even before the credits roll in, like Wes Anderson or Quentin Tarantino. People who make very stylized types of film.
If Wes Anderson has a very strong cast, he can direct the minutia of that story and still manage to have something that lives and breathes.
You know I never used to be a bad flyer, but I did start to have a fear of flying after I shot a movie where I was terrorized on a plane. I made Wes Craven's 'Red Eye'. I don't think they're linked but it does make me pause and wonder if they are, so perhaps I will explore that in therapy some day.
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