A Quote by Aaron Taylor-Johnson
I'm not the kind of male who has to put my imprint on everything.
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The dumber half of the audience - whether they're male or female, and a lot of them are male - for some reason responds very quickly to the feminine voice. How can I put it? They kind of instantly react to the female voice in a positive way quicker than they would the male voice.
We are able to speak for ourselves through our music rather than being defined and put into the spotlight in a very male kind of groomed way for an obviously predominantly male audience.
All the accoutrements that distinguish us from animal existence were put in place when we had a different kind of mind than we have now. We didn't have a mind that favored role specialization, and male dominance, and anxiety over female sexual activity related to feelings of male ownership. That all came later.
The Universe story is the quintessence of reality. We perceive the story. We put it in our language, the birds put it in theirs, and the trees put it in theirs. We can read the story of the Universe in the trees. Everything tells the story of the Universe. The winds tell the story, literally, not just imaginatively. The story has its imprint everywhere, and that is why it is so important to know the story. If you do not know the story, in a sense you do not know yourself; you do not know anything.
Like when I had long hair, you kind of got male attention from everything. But when you had short hair, it was a different kind of man that was attracted to you or I found coming up.
I'm going to imprint myself on everything in this world.
The photographer proceeds, via the intermediary of the lens, to a point where he literally takes a luminous imprint, a cast... [But] the cinema realizes the paradox of moulding itself on the time of the object and of taking the imprint of its duration as well.
I have a tendency to do the epic kind of long shot and put in everything that you need to know. And that's by design; that's the kind of approach I take to it.
'Friends With Benefits': it feels like a two-hander to me, but it is a big movie, and this is the first straightforward male I've been able to play. I would describe my character in 'The Social Network' as a kind of sociopath. I would describe my character in 'Bad Teacher' as... just a weirdo. But this is a male's male.
Every leader wants to put his or her imprint on the work that they do, and grow up in specific eras.
It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
The teacher will have a certain imprint, and each teacher imprints differently. Ultimately the imprint of the teacher is a limitation that you will have to overcome in your final stages of knowledge.
A whole society imprints us. Language, television and culture imprints us Just living in a country is a vibratory imprint. All the collective attentions, of all the people who live there - imprint us.
It's kind of a tradition that you get a rookie, put him in the middle, wrap your arms and legs around him, then douse him with everything you can get a hold of - shaving cream, ketchup, mustard, everything. It's kind of like a pie in the face after a guy is successful.
When I started working in a feminist feminine magazine all my life was about rebelling against male authority, which is authority in general is male, so it was rebelling against everything. Everything that was around me made me angry.
There are a lot of subtle things that are harder to stamp out of a culture in terms of male entrepreneurs being mentored more than female entrepreneurs... male entrepreneurs getting several strikes against them before they're kind of let go, whereas female entrepreneurs, it's kind of one strike and you're out.
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