A Quote by Aaron Taylor-Johnson
Something like making the NIT would have been a great way to showcase the season we had.
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I said publicly last year that I wanted 2012 to be a great season, not just a good season. We certainly had a very good season and perhaps exceeded a few expectations. But Broncos fans, you and I know what a great season looks like.
'2 Dope Queens,' it was just a way for us to showcase female comedians, showcase comedians of color, showcase LGBT comedians, and shake up the landscape and be like, 'Hey, there is more than just what is out there.'
Would the world ever have been made if its maker had been afraid of making trouble?Making life means making trouble. There’s only one way of escaping trouble; and that’s killing things.
'DWTS' came to America and I was ranked first in the U.S. When I got the call, I turned them down. That's why I missed the first season because I felt like I was still seriously competing and it would have been distracting. They called me again for the 2nd season and I said yes. I wanted to see what it was like to do something different and here we are.
If the markets had behaved badly, that would obviously add to people's sense of alarm... but there has been a lot of reassurance coming, particularly in the way the Brits handled all this. There seems to be no great fear that something like that is going to happen here.
The idea is not to have one great singer surrounded by a bunch of nit wits. When the others are good, too, that's when you get something happening in opera.
The scripts for Marco Polo are absolutely, positively fantastic. The challenge of making that show in China has proved to be as formidable as we feared. It's not like making a movie in China where, once you load up and you leave, you're gone. We have to be able to come back and capture something that's going to feel like a major feature film, on a television budget, and do it, hopefully season after season, so we are taking more time than the producers thought.
If there was compromising material that had a shot at actually making Trump behave the way the Russians wanted him to, I would imagine it would be something financial - illegal, dirty dealings, or something with legal import.
It's hard to imagine what the Bronte sisters' lives would've been like had they been men. Different things would've been expected of them, and maybe they wouldn't have ended up writing because they would've been packed off to do something else.
It would have been great to have had 10 victories and been in the playoffs and have gone all the way and then said, 'Goodbye,' but it didn't work out that way.
Let me tell you something: for hundreds of thousands of years, this kind of discussion would have been impossible to have, or those like us would have been having it at the risk of our lives. Religion now comes to us in this smiley-face, ingratiating way — because it’s had to give so much more ground and because we know so much more. But you’ve got no right to forget the way it behaved when it was strong, and when it really did believe that it had God on its side.
Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music. It's like making a stew. You put all these various ingredients in it. You season it with this. You put that in it. You put the other in it. You mix it all up and it comes out something neat, something that you created.
Oh man. If I had magic powers... I would hope that I would use them for good. I think I would. But I would do something pretty trivial like making traffic disappear.
Basically, from the pilot of the first season of 'Togetherness,' I was strategically losing weight all the way through and then all the way into Season Two. So luckily, I had the plan, and I had a lot of time to do it. But it's definitely not easy, because I'm from New Orleans and I love to eat.
[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served to remind him of something he had in his mind, so that when he then went to the studio, that would stick in his mind and he could explore the making of the pot with the clay on the wheel.
We go through the whole season working on next season's car and developing the car and making sure we fit in the car and all that sort of stuff. And we obviously give ideas of what we would hope next year's car would have even if it's small things like buttons on the steering wheel and different positions and whatever.
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