A Quote by Aaron Zigman

Composers can do things that weren't allowed in the 17th century. Until we had composers like Igor Stravinsky and Sergei Rachmaninoff to break the rules. — © Aaron Zigman
Composers can do things that weren't allowed in the 17th century. Until we had composers like Igor Stravinsky and Sergei Rachmaninoff to break the rules.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
You may not be aware of this but Leonard Bernstein won another award, for explaining the music of Igor Stravinsky... to Igor Stravinsky!
Physicists are more like avant-garde composers, willing to bend traditional rules... Mathematicians are more like classical composers.
Communists love to make films about composers because composers compose music and don't talk subversive things.
Communists love to make films about composers, because composers compose music and don't talk subversive things.
I still the love classic period, but also the baroque period, and even 17th-Century music such as the music of Monteverdi. He's one of the greatest opera composers. He was the one who really started the opera.
Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries.
I think that live shows are more important for singers than composers, because composers still get a lot of recognition as compared to a singer.
Right from the 17th century, composers who have taken up music as their means of livelihood went through a hard time financially. They were paid only for commissioned works and public performances. And, when their music became famous, orchestras in other cities and countries would pay a small amount to copy the music.
I am an arrogant and impatient listener, but in the case of a few composers, a very few, when I hear a work I do not like, I am convinced that it is my own fault. Verdi is one of those composers.
The great composers I worked with along the way, I always felt they were filmmakers more than composers. They would talk about the story rather than the music.
New Amsterdam Records, a new label run by composers, has begun documenting this hybrid music, with invigorating discs by the band itsnotyouitsme and the composers Corey Dargel and William Brittelle.
For years, my favorite composers had been Monteverdi and Bach. Then I began to rediscover the 19th century, see it from another perspective.
There was this kind of dictatorship of the Darmstadt school, composers like Boulez and Stockhausen, who were very strict and orthodox. They would not allow other composers to write the music they wanted to write, and only a certain kind of music could be played.
I think the tendency to paint composers or styles of music with too broad a brush - for example, identifying composers as writers of "simple" or "complex" music - has become increasingly problematic and is almost never productive.
Even experimental composers, revolutionary composers, self-styled radicals are, in writing revolutionary music, recognizing the music that preceded them precisely by trying to avoid it.
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