A Quote by Aasif Mandvi

One of the first auditions I had in New York was for a commercial where I had to go in and audition to be a snake charmer... It was either some bank commercial or something where they wanted a guy charming a snake... I remember they wanted to know if I actually knew how to snake charm.
Some of them wanted to sell me snake oil and I'm not necessarily going to dismiss all of these, as I have never found a rusty snake.
My first professional audition - god, I've never told anybody about this - was for a test commercial, I think it was for Xbox. It involved me getting kidnapped by a granny who wanted to play the Xbox. It was very weird and I definitely had no idea what I was doing. I actually got the gig. It wasn't a commercial; it was what directors did when they wanted to show the company what they would do with a commercial.
You're right. And so was my snake." Snake?" He pulled my arm out to expose my bracelet. "When I carved this my thoughts were on you, love. Your life is like this snake's coils. No matter how many turns it makes, you'll end up back where you belong. With me.
It (the double-clarinet in India) was primarily used for snake charming, since the snake would do almost anything to get the Indians to stop playing it.
I'm often at odds with my colleagues, but I've managed to get legislation passed which will not even be attempted in other states. Rather than use the word "cooperate," I'll say there's kind of a peaceful coexistence, a wary watching of each other. I'm very courteous and polite, and people allow me to be. Some people have applied the term charming to me. I don't use that term unless I'm the snake charmer and they're the snake.
She remembered the story from her childhood, about Adam and Eve in the garden, and the talking snake. Even as a little girl she had said - to the consternation of her family - What kind of idiot was Eve, to believe a snake? But now she understood, for she had heard the voice of the snake and had watched as a wise and powerful man had fallen under its spell. Eat the fruit and you can have the desires of your heart. It's not evil, it's noble and good. You'll be praised for it. And it's delicious.
I always wanted to be a snake. Every time I saw a snake on TV. I'd always say 'Why not me?'
When I started DJing, because everyone called me 'Snake' in my city first, I was like, 'DJ Snake - OK, let's go for it.' The name sucks, but it's too late now.
I myself have always found that if I examine something, it's less scary. I grew up in the West, and we always had this theory that if you saw - if you kept the snake in your eye line, the snake wasn't going to bite you. And that's kind of the way I feel about confronting pain. I want to know where it is.
If I go home and someone, and my child has blood running down her leg and someone tells me that a snake bit her, I'm going out and kill the snake. And when I find the snake, I'm not going to look and see if he has blood on his jaws.
I grew up in the country on a farm it was whenever someone said even that a snake was eating the chickens or bothering the chickens, we'd kill snakes. We never knew whether that was the snake that did it.
I was even more of a fan of Jake The Snake than I was of my dad when I was a kid, and that's because of the snake. Jake used to have his snake, Damien, out in the locker room slithering around the showers. In the locker room, they would actually block off one of the showers just so Damien could roll around, and I'd sit there and watch him.
I came from an environment where if you see a snake, you kill it. At General motors, if you see a snake, the first thing you do is to hire a consultant on snakes.
The first time I showed the tattoo, it was big news in the newspaper: 'She has a tattoo with a snake.' It's not a snake.
The first time I showed the tattoo it was big news in the newspaper. 'She has a tattoo with a snake.' It's not a snake!
The photograph as an object has a relationship to that which it represents something like the relationship the snake skin has to the snake that sheds it.
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