A Quote by Aasif Mandvi
The Daily Show writers are incredibly smart and very well plugged-in but occasionally they would need me for certain specific things, and I'd be like, 'Yeah, I completely know how to do that; I can solve that problem,and then I'd be like, 'Mom?
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Nothing makes me happier than to have a smart person tell me why the show is smart, especially if I didn't intend that. I tend to be a very instinctual writer, and I don't plot shows out like, "This is my thesis and this is how I'm going to subtly sneak my thesis into this episode." I just approach it from, "We know these characters well, here are the situations that they're in, now how would they behave? What would the consequences be?" And it's always fun to see how people interpret that and dissect it afterward, and make me and the other writers seem probably smarter than we really are.
I know that I present very - they say that I present very, very calm and very, very smart, very articulate, elegant. Yeah. And I go, 'Brilliant teams of makeup and wardrobe happened to dress me and clothe me and put my face on and do my hair. And then these brilliant teams of writers give me words to speak. I just need to make sure that I have them all in this combination in my body, in my being, and then I get to do it on camera, in front of a brilliant team of camera workers who really know how to like me and make me sound good.' So I'm just really a dork in real life.
Things change. There has to be flexibility. Let me give you an example. President Xi, we have a, like, a really great relationship. For me to call him a currency manipulator and then say, “By the way, I'd like you to solve the North Korean problem,” doesn't work. So you have to have a certain flexibility, Number One. Number Two, from the time I took office till now, you know, it's a very exact thing. It's not like generalities.
I was approached by my agent, who said they were interested in me for 'Mr. Robot'. Then I binge-watched the show, and I was like, 'Uh, I would like this. Show me how I'm gonna fit in there, but yeah, I would love it.'
You have to realize: OK, I don't know how to solve a political problem, I don't know how to solve the pollution problem... all I know is in my own life, I need to figure out some sense of purpose, I need to figure out how to be happy... and I'm willing.
I grew up with plenty of smart people. They would beat me at chess; they could solve brain teasers before I could, but then they would struggle in algebra. These were incredibly smart people who simply did not have the foundation in math that I had.
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
You can't solve a problem? Well, get down and investigate the present facts and [the problem's] past history! When you have investigated the problem thoroughly, you will know how to solve it.
For a long time it puzzled me how something so expensive, so leading edge, could be so useless. And then it occurred to me that a computer is a stupid machine with the ability to do incredibly smart things, while computer programmers are smart people with the ability to do incredibly stupid things. They are, in short, a perfect match.
Sometimes I listen to songs by very smart writers who assume that the world is a civil place with certain formalities that people follow, but I don't see things that way. My own experience tells me that life is not like that.
One of my best friends growing up was Vietnamese, and he and his mom would teach me how to say certain things so I could impress my nail girls. Then the nail girls would teach me how to count to 100 and basic things like 'Thank you' and 'You're welcome.' It's funny, because any accent that I do now always turns into Vietnamese.
It's so great to come in and do something where you know how strong the format of the show is and you're working with writers and directors who worked on the original show. It feels like you're going into a well-run ship already. Then it's just a matter of creating these new characters.
When I was first thinking about what would become Venture for America, I was trying to figure out how to solve a problem - that our top young people were being driven to roles that did not, to me, address the needs of our time. That VFA would be a non-profit just seemed like the most efficient way to solve the problem.
Occasionally, you know, a myth is specific with a certain model of car, you know, like a Corvette or whatever. And so we end up spending some cash on those.
If I had a daughter, I would tell her certain things. I would tell her that it’s great to be smart, really smart - that being smart makes you strong. I would tell her that emotions are powerful, so don’t be afraid to show them. I would tell her that some people may judge you on how you look or what you wear - that’s just how it is - but you should keep your focus on what you say and do. I would tell her that she may see the world differently from boys, and that difference is essential and good.
My type is really young, short, athletic, and smart. I know, you want to be with someone who's going to be your friend - yeah, yeah, yeah. I want the Adonis line, the two down the hips to the waist. And a guy has to be able to accept criticism about his clothing. I can be very particular about what I like and don't like.
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