There's a lot of reasons I had to move on. Family's definitely a big part of it. And the longevity of my career - I played for 15 years, and I was just tired of the whole international scene. It's quite busy. Very stressful.
I went through whole scene kid phase from when I was, like, 12 years old to 15. Black eyeliner - I got gauges, which I definitely regret now - and I had the world's worst haircut: it looked similar to a mullet with a rat's tail, essentially. It was not great.
I had a great career. But not to win a big international title is also part of my career.
As a kid, I mostly played as a No 10. When I was really young, I played as a striker. But I grew a lot when I was older, and when I was 15, 16, I had a big growth, and so I changed a little bit and became slower.
I have played a lot of games, had a good international career, and picked up a lot of caps, but it is not going to be complete without winning trophies, so that is my main goal.
The third game of my career, we played Kansas City and I played as poorly as I've ever played in my life. I completed one of 15 passes and had two interceptions.
Before broadcasting for 50-some years, I did TV, played 10 years in the big leagues, won a world championship - and played a big part in that, too, letting the Cardinals inject me with hepatitis. Takes a big man to do that.
I also think within the scene, a specific scene - if I were to play a part that I played 10 years ago now, my interpretation of that scene would be totally different. I would be making different choices. Because I can't somehow subtract all of the experiences that I've had in my life. And it's fascinating to see, because somewhere I'm very reflective in that. You know, I've been playing basically actually close to 40 years old, so I'm somewhere lost in age in this movie. But it's been fascinating to see that I can't subtract that time.
I've definitely had obstacles in my career - my whole entire career - to stay a certain weight, to get smaller than I have been, but I look at my family, I look at where I come from and that's not really in our genes.
I have played in the West for 14 years. I played against Dustin Byfuglien a lot. So it's not like I've been out East for my whole career and never played against the guy. That may have been blown out of proportion, I think.
I'm totally grateful for the fans my family has and I have; they gave me a lot of support when I was in treatment. But it was just odd, you know? It's stressful. Just the whole fact of being someone in the public eye.
I count 'Underworld 4' as my training period for 'Total Recall.' I do think it was hard because I didn't realize how tired I was. It is quite a lot to sustain that kind of physical work over nine months altogether and by the end of it, I definitely felt like I had aged quite a bit in that year.
Real Madrid wanted me to join their academy. It was a big decision to move when I was 15. It's a key age for a youngster, and you're close to your friends and family. But I moved to Madrid, and my family stayed at home. It made me mature earlier than normal. That was a very big decision, and it changed me in a positive way.
I played on anger for the first 15 years of my career.
Broadway isn't a very big career move. There's no money in it and it doesn't mean anything to your career. It's just a nice little jewel in the crown.
Well, I think one of the big things wrong with kids these days, a lot of them don't have a family. A lot of them got one parent and there's quite a few that don't have any parents and that's where the whole problem is. There's no family life, no father to slap 'em around when they need it.
I was not a punk rocker, absolutely not, but I certainly knew quite a lot of them, and I definitely went to the Mab - it was raw, interesting intense scene, so I was very drawn to it, but I was a total outsider.