A Quote by Abbi Glines
Identifying pain in others was easy for me. I was drawn to it in some strange perverse way.
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I do seem to try to make things harder and harder for myself. In some perverse way, obstacles interest me and I'm drawn to projects that end up being incredibly laborious.
In these times aesthetic taste is dismissed as irrelevant. Well, I am perverse, for that reason I am more drawn to it than ever. I have been described as having style, of being a mannered photographer... it's some people's quarrel with my work and others' fascination.
some travelers are drawn forward by a goal lying before them in the way iron is drawn to the magnet. Others are driven on by a force lying behind them. In such a way the bowstring makes the arrow fly.
I think there's some evidence that we're empathic by nature. There is some evidence from studies of babies and young children that they resonate with the pain of others, and there's some work by Frans de Waal that other primates also resonate with the pain of others.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
There seems to be some perverse human characteristic that likes to make easy things difficult.
Some men are like nails, very easily drawn; others however are more like rivets never drawn at all.
People will find some ways of identifying themselves, becoming associated with others, taking part in something. They're going to do it some way or other. If they don't have the options of participation in labor unions, political organizations that actually function, they'll find other ways. Religious fundamentalism is a classic example.
Initially, less appealing to me than the idea of a vampire that is drawn by some misgiving or drawn by some sense of longing that he can't quite satiate.
Everybody needs a way out of that pain. Many people choose drugs and alcohol. Some people obsessively exercise or develop strange dietary habits, which is what I did. At least it got me toward a path of healthier living.
The only way to be a champion is by going through these forced reps and the torture and pain. That's way I call it the torture routine. Because it's like forced torture. Torturing my body. What helps me is to think of this pain as pleasure. Pain makes me grow. Growing is what I want. Therefore, for me pain is pleasure. And so when I am experiencing pain I'm in heaven. It's great. People suggest this is masochistic. But they're wrong. I like pain for a particular reason. I don't like needle's stuck in my arm. But I do like the pain that is necessary to be a champion.
'This' pain I can see it but I can't feel it It haunts me When I cut myself I can see where the pain is coming from and watch it heal And I can easily care for it 'This' pain doesn't have a specific place It moves around and creeps into strange places.
I thought English is a strange language. Now I think French is even more strange. In France, their fish is poisson, their bread is pain, and their pancake is crepe. Pain and poison and crap. That's what they have every day.
At some of the darkest moments in my life, some people I thought of as friends deserted me-some because they cared about me and it hurt them to see me in pain; others because I reminded them of their own vulnerability, and that was more than they could handle. But real friends overcame their discomfort and came to sit with me. If they had not words to make me feel better, they sat in silence (much better than saying, "You'll get over it," or "It's not so bad; others have it worse") and I loved them for it.
Novels are political not because writers carry party cards -- some do, I do not -- but because good fiction is about identifying with and understanding people who are not necessarily like us. By nature all good novels are political because identifying with the other is political. At the heart of the 'art of the novel' lies the human capacity to see the world through others' eyes. Compassion is the greatest strength of the novelist.
Let go," he advised me, and I loosened my grip on his hands. "No, not of me," he said, smiling. "You can hold on to me as long as you want. Let go of the pain, Sookie. Let go. You need to drift away." It was the first time I had relinquished my will to someone else. As I looked at him, it became easy, and I retreated from the suffering and uncertainty of this strange place.
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