A Quote by Abbie Cornish
When I step into a character's shoes, I don't judge them. I make a conscious effort not to look from the outside in but look from the inside out, and when you do that it allows you to feel and sense things more, and act and react from a core, you know?
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I enjoy doing scenes where I don't wear make-up and I can be raw. I like that. I feel like it's easier to act. When I have to have make-up on, I feel like I'm expected to look a certain way, and then it's harder to act because I'm more self-conscious.
In my culture, shoes are more or less the first thing women look at. Women look at the build, and then they look at the shoes. If you don't have nice shoes, you don't have money. When I meet a lawyer, the first thing I look at are his shoes. If he has good shoes, he's getting my money.
A good set of eyelashes can fix a lot. Or at least make you feel more confident. I can't live without them, I'm sorry. I can't look at myself without them. It's not that I don't feel pretty, but they make me feel prettier. And I don't know why someone doesn't want to look prettier.
I think 'Shade Room,' it's a different me. You know, I think it's more on the lyrical side, talking about my life and how I really feel. You know, all these things outside of football. And people really get to look at how I feel about things or how I look at certain things. It's not just a song, more so me just telling people how I feel.
The Barbarian Way was, in some sense, trying to create a volatile fuel to get people to step out and act. It's pretty hard to get a whole group of people moving together as individuals who are stepping into a more mystical, faith-oriented, dynamic kind of experience with Christ. So, I think Barbarian Way was my attempt to say, "Look, underneath what looks like invention, innovation and creativity is really a core mysticism that hears from God, and what is fueling this is something really ancient." That's what was really the core of The Barbarian Way.
I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.
Each of you should feel that you have great potential and that, with self-confidence and a little more effort, change really is possible if you want it. If you feel that your present way of life is unpleasant or has some difficulties, then don't look at these negative things. See the positive side, the potential, and make an effort.
You’d be surprised at the things that look great on the outside but are dysfunctional on the inside. Be sure to function as good as you look
Movies don't look hard, but figuring it out, getting the shape of it, getting everybody's character right and having it be funny, make sense and be romantic, it's creating a puzzle. Yes, having been a writer for so long, I have an awareness of when things are going awry, but it doesn't mean I know how to fix them.
I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.
If you live in the city, you only have to look out your window to see enough that would make you feel that you don't want to step outside your front door ever again.
Look for solutions, instead of being difficult; be more thoughtful, instead of allowing anger to burn you out. Look at things from a different perspective, embrace change, look out for opportunities and you will feel much more in control.
If a chick wants to know who makes my shoes, she's got to take them off my feet and look inside.
Do you know I don't know how one can walk by a tree and not be happy at the sight of it? How can one talk to a man and not be happy in loving him! Oh, it's only that I'm not able to express it...And what beautiful things there are at every step, that even the most hopeless man must feel to be beautiful! Look at a child! Look at God's sunrise! Look at the grass, how it grows! Look at the eyes that gaze at you and love you!
I think the best models are actors, you're taking on a character. In that sense, I have been acting for a long time. It didn't seem like a crazy transition. Acting is a bigger step into modelling in a way. Modelling is easier when you don't look like yourself. When you look like a different person, you feel different. Acting goes deeper into that, you have to move and talk like that character. I love it.
And to me, if you really want to rediscover wonder, you need to step outside of that tiny, terrified space of rightness and look around at each other and look out at the vastness and complexity and mystery of the universe and be able to say, “Wow, I don't know. Maybe I'm wrong.
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