A Quote by Abby Johnson

I try not to go down the 'what if' road very often. It isn't fruitful and just makes you feel crummy. — © Abby Johnson
I try not to go down the 'what if' road very often. It isn't fruitful and just makes you feel crummy.
Everyone goes down a road that they're not supposed to go down. You can do two things from it. You can keep going down that road and go to a dark place. Or you can turn and go up the hill and go to the top - try to go to the top.
You've got to go down the road you naturally go down, and for me it was pop, folk country, just feel-good music. I suppose most of my songs are very up-tempo.
To bring out a new technology for consumers first, you just had a very long road to go down to try to find people who actually would pay money for something.
I'm really just trying to hash out the next two weeks of my life. So, something that is potentially four months down the road is not just a mile down the road for me, it's a million miles down the road.
To be a modern person in 2012, you are often required to have some electronics in your life. And I do. I try to put that phone down, put the computer away, and get out there and hike in the woods; feel it in my feet, feel it in my hands; get out in the garden and feel the soil under my fingers, my fingertips and my fingernails. I try to be involved in nature in a very tactile way. I think that's important.
I can be very social, but often, it weighs down on me later that the social thing was a put-on. I feel like my way of dealing with not wanting to go out is, I just don't. I can't bring myself to.
When you go through growing pains and learning experiences, it makes you tougher down the road.
We are as old as we feel. And while I never feel my calendar age, I often feel my Leaper age. And I'll go with that. Because life is not something to be run down like a counter nor counted as it runs you down. It is an experience, and we can choose to live it as we will.
Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, oh!, and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.
Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, "oh!", and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.
I realized that a surf trip on a jet can be like a road trip. If you see a road you want to turn down, you can just go there.
Sometimes when I go out on the road, I feel almost embarrassed or dismayed because I can't be the image of what kids want me to be. So I just try to be myself, and usually that works out OK.
When the wind is right and the cloud is gone, you can see down this road as far as Darjeeling," I told her. "But it is a long and difficult road, full of perils, and if a traveller on foot were to look at the length of it, his spirit would be overcome and he would sit down and refuse to go any further. You must not look to the end of the road, Portia. Look only to the step in front of you. That you can do. Just one step. And you will not make the journey alone.
If someone is cynical and doesn't vote and ends up with a crummy job in a crummy country with a decimated environment, they only have themselves to blame.
I worked with the late Leonard Frey. I did a play, and I would have these ideas and he would say, "I don't know. Try it." And I would try it and it would be awful, and he would go, "What do you think?" And I would go, "It was awful." And he goes, "Okay, we'll try something else." And that's great because it really makes you feel less working-for and more working-with. There's nothing better than to feel a part of the team.
In a way, metafiction breaks down the story and makes it less real. But in another respect, by that very breaking down, it actually makes things feel more real than they would to begin with.
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